Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 262
The king rose , so all the court rose . After the king had spoken the first seven lines as a formal tribute to his late brother , he sat , so all the court sat . The director was firmly establishing Claudius as the “ expert politician ...
The king rose , so all the court rose . After the king had spoken the first seven lines as a formal tribute to his late brother , he sat , so all the court sat . The director was firmly establishing Claudius as the “ expert politician ...
Seite 354
The King is frightened . The Queen pleads . The two - Hamlet and King - fight and the Queen runs out shrieking , after which the King falls . Hamlet asks him how he is and he answers : King . Curse on thy stripling hand — In this dread ...
The King is frightened . The Queen pleads . The two - Hamlet and King - fight and the Queen runs out shrieking , after which the King falls . Hamlet asks him how he is and he answers : King . Curse on thy stripling hand — In this dread ...
Seite 399
The King and Polonius have hidden themselves behind the arras , where , it may be , Hamlet becomes aware that they are eavesdropping . But Ophelia's behavior - her face , too — may tell him much without recourse to such adventitious ...
The King and Polonius have hidden themselves behind the arras , where , it may be , Hamlet becomes aware that they are eavesdropping . But Ophelia's behavior - her face , too — may tell him much without recourse to such adventitious ...
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acting action actor admirable appearance audience beautiful become beginning better Booth called character Claudius close course court critic death direction effect emotion English expression eyes face fact father Fechter feeling final force Garrick Gertrude Ghost Gielgud give given Hamlet hand Henry Horatio idea impression interpretation Irving John Kean Kemble King Laertes later less light lines living London look manner means mind mother moving nature never night observed Olivier once opening Ophelia passion performance perhaps person play players Polonius present prince production Queen question reading reason role scene seems seen sense Shakespeare soliloquy speak speech spirit stage suggested Theatre thing thought tion tragedy turned voice whole York young
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810379708, 9780810379701 |
| Länge | 461 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |