Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 35
171-72 ] Henderson again differed from Mr. Kemble's reading ; thused , both in his own time and ours , " effectively rendered Shakespeare's “ subtle stylistic transitions and contrasts , the effect of which will be lost if we play him ...
171-72 ] Henderson again differed from Mr. Kemble's reading ; thused , both in his own time and ours , " effectively rendered Shakespeare's “ subtle stylistic transitions and contrasts , the effect of which will be lost if we play him ...
Seite 38
That Kemble , at any time , could be familiar may come as a surprise to those who have been brought up to think of him as ever stately . Yet one reviewer , Woodfall in The Morning Chronicle , writes with emphasis : “ Again , Mr. Kemble ...
That Kemble , at any time , could be familiar may come as a surprise to those who have been brought up to think of him as ever stately . Yet one reviewer , Woodfall in The Morning Chronicle , writes with emphasis : “ Again , Mr. Kemble ...
Seite 39
forced upon in Shakespeare even received names from Kemble as editor , and some of these names— “ Marco ” in Othello , for instance — still turn up occasionally in the casts of quite recent productions . For an English actor to show a ...
forced upon in Shakespeare even received names from Kemble as editor , and some of these names— “ Marco ” in Othello , for instance — still turn up occasionally in the casts of quite recent productions . For an English actor to show a ...
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acting action actor admirable appearance audience beautiful become beginning better Booth called character Claudius close course court critic death direction effect emotion English expression eyes face fact father Fechter feeling final force Garrick Gertrude Ghost Gielgud give given Hamlet hand Henry Horatio idea impression interpretation Irving John Kean Kemble King Laertes later less light lines living London look manner means mind mother moving nature never night observed Olivier once opening Ophelia passion performance perhaps person play players Polonius present prince production Queen question reading reason role scene seems seen sense Shakespeare soliloquy speak speech spirit stage suggested Theatre thing thought tion tragedy turned voice whole York young
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810379708, 9780810379701 |
| Länge | 461 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |