Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 96
PRODUCTION : Henry Irving • Lyceum Theatre • 1874-1885 BACKGROUND : Irving's London premiere of Hamlet , at the Lyceum Theatre on 31 October 1874 , inaugurated a 200 - night run which established the actor as the paramount Hamlet of the ...
PRODUCTION : Henry Irving • Lyceum Theatre • 1874-1885 BACKGROUND : Irving's London premiere of Hamlet , at the Lyceum Theatre on 31 October 1874 , inaugurated a 200 - night run which established the actor as the paramount Hamlet of the ...
Seite 112
Ellen Terry as Ophelia and Henry Irving as Hamlet ( 1879 ) . liam Creswick was too old ; his opening shortly after Irving's was evidently intended as a direct challenge , but it misfired : ' In the fencing scene , ' said a review ...
Ellen Terry as Ophelia and Henry Irving as Hamlet ( 1879 ) . liam Creswick was too old ; his opening shortly after Irving's was evidently intended as a direct challenge , but it misfired : ' In the fencing scene , ' said a review ...
Seite 116
But Irving needed to establish a parallel between Hamlet's affectionate and trusting relationship with his family before his father's death and the apparent harmony in the Polonius household . For that he required an innocent Ophelia .
But Irving needed to establish a parallel between Hamlet's affectionate and trusting relationship with his family before his father's death and the apparent harmony in the Polonius household . For that he required an innocent Ophelia .
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acting action actor admirable appearance audience beautiful become beginning better Booth called character Claudius close course court critic death direction effect emotion English expression eyes face fact father Fechter feeling final force Garrick Gertrude Ghost Gielgud give given Hamlet hand Henry Horatio idea impression interpretation Irving John Kean Kemble King Laertes later less light lines living London look manner means mind mother moving nature never night observed Olivier once opening Ophelia passion performance perhaps person play players Polonius present prince production Queen question reading reason role scene seems seen sense Shakespeare soliloquy speak speech spirit stage suggested Theatre thing thought tion tragedy turned voice whole York young
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810379708, 9780810379701 |
| Länge | 461 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |