Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 84
is seen immediately in the reading of Horatio , upon the entrance of the Ghost :But , soft ; behold ! lo , where it comes again I'll cross it , though it blast me . Stay , illusion ! If thou hast any sound or use of voice , Speak to me ...
is seen immediately in the reading of Horatio , upon the entrance of the Ghost :But , soft ; behold ! lo , where it comes again I'll cross it , though it blast me . Stay , illusion ! If thou hast any sound or use of voice , Speak to me ...
Seite 301
Barnardo , and later Horatio and Marcellus , entered from down right . Philip Locke played Horatio as an older man , more like a tutor than a schoolmate of Hamlet's . He wore wire - rimmed glasses and a scholar's cap , and had a ...
Barnardo , and later Horatio and Marcellus , entered from down right . Philip Locke played Horatio as an older man , more like a tutor than a schoolmate of Hamlet's . He wore wire - rimmed glasses and a scholar's cap , and had a ...
Seite 307
Hamlet and Horatio moved into the shadows down left as the funeral procession entered , and the scene between Laertes and the Doctor was played down right . When Hamlet learned who the corpse was he turned in tears to Horatio , who put ...
Hamlet and Horatio moved into the shadows down left as the funeral procession entered , and the scene between Laertes and the Doctor was played down right . When Hamlet learned who the corpse was he turned in tears to Horatio , who put ...
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acting action actor admirable appearance audience beautiful become beginning better Booth called character Claudius close course court critic death direction effect emotion English expression eyes face fact father Fechter feeling final force Garrick Gertrude Ghost Gielgud give given Hamlet hand Henry Horatio idea impression interpretation Irving John Kean Kemble King Laertes later less light lines living London look manner means mind mother moving nature never night observed Olivier once opening Ophelia passion performance perhaps person play players Polonius present prince production Queen question reading reason role scene seems seen sense Shakespeare soliloquy speak speech spirit stage suggested Theatre thing thought tion tragedy turned voice whole York young
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810379708, 9780810379701 |
| Länge | 461 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |