Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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... Gielgud mounted his own production of the tragedy at the New Theatre in London . According to James Agate , Gielgud's Hamlet was now " a model of lucidity , " but the actor needed to re- fine his delivery of the prose speeches : " the ...
... Gielgud mounted his own production of the tragedy at the New Theatre in London . According to James Agate , Gielgud's Hamlet was now " a model of lucidity , " but the actor needed to re- fine his delivery of the prose speeches : " the ...
Seite 167
... Gielgud's Hamlet 1930-1944 BACKGROUND : One of the most celebrated Shakespearean actors of the twentieth century , Gielgud portrayed Hamlet in five productions - two of which he also directed - between 1930 and 1944. He first undertook ...
... Gielgud's Hamlet 1930-1944 BACKGROUND : One of the most celebrated Shakespearean actors of the twentieth century , Gielgud portrayed Hamlet in five productions - two of which he also directed - between 1930 and 1944. He first undertook ...
Seite 421
... Gielgud's basic directorial conception [ was ] so firm that the whole [ came ] across as something greater than the ... Gielgud's 1964 Broadway version of Hamlet , praising the production's " fluent " direction and Richard Burton's ...
... Gielgud's basic directorial conception [ was ] so firm that the whole [ came ] across as something greater than the ... Gielgud's 1964 Broadway version of Hamlet , praising the production's " fluent " direction and Richard Burton's ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young