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Seite 393
the ghost scenes , for instance . These opportunities cannot be said to have been neglected through the long stage history of the play , and some of the business may well be of great antiquity . John Downes writes ( in his Roscius ...
the ghost scenes , for instance . These opportunities cannot be said to have been neglected through the long stage history of the play , and some of the business may well be of great antiquity . John Downes writes ( in his Roscius ...
Seite 394
The Ghost steps softly , and he carries a truncheon . Tom Davies speaks of the " noiseless tread ” of Barton Booth's Ghost [ in his Dramatic Miscellanies , 1784 ) , at the beginning of the eighteenth century , and this , we are told ...
The Ghost steps softly , and he carries a truncheon . Tom Davies speaks of the " noiseless tread ” of Barton Booth's Ghost [ in his Dramatic Miscellanies , 1784 ) , at the beginning of the eighteenth century , and this , we are told ...
Seite 396
Enough , perhaps , that pity and reverence are finding expression increasingly through Hamlet's action when he sees the Ghost . The Ghost beckons and Hamlet follows , sword in hand . He has held it : with the point toward the spectre ...
Enough , perhaps , that pity and reverence are finding expression increasingly through Hamlet's action when he sees the Ghost . The Ghost beckons and Hamlet follows , sword in hand . He has held it : with the point toward the spectre ...
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acting action actor admirable appearance audience beautiful become beginning better Booth called character Claudius close course court critic death direction effect emotion English expression eyes face fact father Fechter feeling final force Garrick Gertrude Ghost Gielgud give given Hamlet hand Henry Horatio idea impression interpretation Irving John Kean Kemble King Laertes later less light lines living London look manner means mind mother moving nature never night observed Olivier once opening Ophelia passion performance perhaps person play players Polonius present prince production Queen question reading reason role scene seems seen sense Shakespeare soliloquy speak speech spirit stage suggested Theatre thing thought tion tragedy turned voice whole York young
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810379708, 9780810379701 |
| Zitat exportieren | BiBTeX EndNote RefMan |