Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 272
... Claudius ' remorse ( III.iii ) . And the relation- ships between the events are simplified . Instead of being a direct response to the Mousetrap , Claudius ' remorse be- comes a general reaction to the whole course of events . Hamlet's ...
... Claudius ' remorse ( III.iii ) . And the relation- ships between the events are simplified . Instead of being a direct response to the Mousetrap , Claudius ' remorse be- comes a general reaction to the whole course of events . Hamlet's ...
Seite 273
... Claudius and Gertrude stew'd in corruption , particular- ly the description of the bloat king with his reechy kisses ( 179ff . ) The words are gone , yet their sense remains , for Richardson had already shown us Claudius swilling his ...
... Claudius and Gertrude stew'd in corruption , particular- ly the description of the bloat king with his reechy kisses ( 179ff . ) The words are gone , yet their sense remains , for Richardson had already shown us Claudius swilling his ...
Seite 375
... Claudius say , very cooly , ' Away ' , and turn to exit , while Hamlet laughed hysterically . The remarkable thing about this se- quence is that it was very close to the Warner - Hall read- ing , where , in rising , Claudius registered ...
... Claudius say , very cooly , ' Away ' , and turn to exit , while Hamlet laughed hysterically . The remarkable thing about this se- quence is that it was very close to the Warner - Hall read- ing , where , in rising , Claudius registered ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young