The Party of Humanity: Writing Moral Psychology in Eighteenth-century BritainJohns Hopkins University Press, 2000 - 250 Seiten What is the relationship between the self and society? Where do moral judgements come from? As Blakey Vermeule demonstrates in this discussion, such questions about sociability and moral philosophy were central to 18th-century writers and artists. Vermeule focuses on a group of aesthetically complicated moral texts: Alexander Pope's character sketches and Dunciad, Samuel Johnson's Life of Savage, and David Hume's self-consciously theatrical writings on pride and his autobiographical writings on religious melancholia. These writers and their characters confronted familiar social dilemmas - sexual desire, gender identity, family relations, cheating, ambition, status, rivalry and shame - and responded by developing a practical ethics about their own behaviour at the same time that they refined their moral judgements of others. |
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Seite 166
... impressions cause the ideas that further cause the impressions of reflection . So when we feel an impression of reflec- tion ( say pride ) , we are feeling an impression related to qualities separate from the subject of the cause itself ...
... impressions cause the ideas that further cause the impressions of reflection . So when we feel an impression of reflec- tion ( say pride ) , we are feeling an impression related to qualities separate from the subject of the cause itself ...
Seite 171
... impressions like hunger , which " arises internally " and , as it were , blindly ( T 287 ) . For although the source of a judgment can be social ( e.g. , an audience of our peers ) , the internal audience places a set of restrictions on ...
... impressions like hunger , which " arises internally " and , as it were , blindly ( T 287 ) . For although the source of a judgment can be social ( e.g. , an audience of our peers ) , the internal audience places a set of restrictions on ...
Seite 181
... impressions " ( T 275 ) . ( Recall that he first divides the passions into primary and secondary , the former arising immediately from sensation ; the latter — which he calls " impressions of reflexion ” —arising from previous impressions ...
... impressions " ( T 275 ) . ( Recall that he first divides the passions into primary and secondary , the former arising immediately from sensation ; the latter — which he calls " impressions of reflexion ” —arising from previous impressions ...
Inhalt
The Art of Obligation | 29 |
Notes | 209 |
Works Cited | 229 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abstraction acting Addison aesthetic altruism answer argued authority become beliefs Book called cause century character claims critics culture Dennis describes desire distinction Dunciad early Edited effect eighteenth-century emotion especially example experience explain expression fact feeling figure force friends friendship give hand human Hume Hume's idea imagination impressions individual interest internal John Johnson judgment kind language less letter literary lives look meaning melancholy mind moral moralist motives names nature never normative object obligation particular passion person philosophical play pleasure poem poetry political Pope Pope's portrait position practical Press pride proper psychology question quoted readers reason reciprocal reference reflection relation relationship rhetorical rules satire Savage Savage's seeks seems sense social society spectator suggests theory things thought tion tradition true turn University values virtue whole writes
Verweise auf dieses Buch
Bastards and Foundlings: Illegitimacy in Eighteenth-century England Lisa Zunshine Eingeschränkte Leseprobe - 2005 |