• Romæ dulce diu fuit et folemne, reclufa Mane domo vigilare, clienti promere jura; Scriptos f nominibus rectis expendere nummos ; * Majores audire, minori dicere, per que Crefcere res poffet, minui damnofa libido. h Mutavit mentem populus levis, 1 et calet uno Scribendi ftudio: puerique patrefque feveri Fronde comas vincti cœnant, et carmina dictant. Ipfe ego, qui nullos me afirmo fcribere verfus, Inveniori Parthis mendacior; et prius orto Sole vigil, calamum et chartas et fcrinia pofco. k Navem agere îgnarus navis timet: abrotonum ægro Non audet, nifi qui didicit, dare: quod medicorum eft, Promittunt medici: tractant fabrilia fabri: VER. 181. He ferv'd, etc.] To the simple elegance of the original, the Poet has here added great fpirit and vivacity, without departing from the fidelity of a tranflation. Time was, a fober Englishman would knock And fend his Wife to church, his Son to School. To teach their frugal Virtues to his Heir; Το 165 170 prove, that Luxury could never hold; And all our Grace at table is a Song. And call for pen and ink to show our Wit. * He ferv'd a 'Prenticeship, who fets up fhop; 175 180 VER. 182. Ward] A famous Empiric, whofe Pill and Drop had several surprising Effects, and were one of the principal fubjects of writing and converfation at this time. m Scribimus indocti doctique poemata passim. n Hic error tamen et levis haec infania, quantas Virtutes habeat, fic collige: vatis。 avarus Non temere eft animus: P verfus amat, hoc ftudet unum ; Detrimenta, fugas fervorum, incendia ridet; Non fraudem focio, puerove incogitat ullam Pupill; vivit filiquis, et pane fecundo ; * Militiæ quanquam piger et malus, utilis urbi; Si das hoc, parvis quoque rebus magna juvari; u Os tenerum pueri balbumque poeta figurat: VER. 201. Of little ufe, etc.] There is a poignancy in the following verfes, which the original did not aim at, nor affect. VER. 404. And (tho' no Soldier)] Horace had pot acquitted himfelf much to his credit in this capacity (non bene reli&a parmula) in the battle of Philippi. It is manifeft he alludes to himself, in this whole account of a Poet's character; but with an intermixture of irony: Vivit filiquis et pane fccundo has a relation to his Epicurifm; Os tenerum pueri, is ridicule: The Who builds a Bridge that never drove a pile? 185 (Should Ripley venture, all the world would fmile) But those who cannot write, and those who can, All rhyme, and scrawl, and scribble, to a man. Yet, Sir," reflect, the mischief is not great; These Madmen never hurt the Church or State: 190 Sometimes the Folly benefits mankind; And rarely • Av'rice taints the tuneful mind. 9 Flight of Cashiers, or Mobs, he'll never mind; 195 And knows no loffes while the Mufe is kind. To cheat a Friend, or Ward, he leaves to Peter; Of little use the Man you may fuppofe, e? 200 205 nobler office of a Poet follows: Torquet ab obfcoenis--. Mox etiam pectus ---Recte facta refert, etc. which the Imitator has apply'd where he thinks it more due than to himself. He hopes to be pardoned, if, as as he is fincerely inclined to praise what deferves to be praised, he arraigns what deferves to be arraigned, in the 210, 211, and 212th Verses. K VOL. IV. Torquet wab of fcoenis jam nunc fermonibus aurem; Mox etiam pectus præceptis format amicis, Afperitatis, et invidiae corrector, et irae; Recte facta refert; * orientia tempora notis Inftruit exemplis ; inofem folatur et aegrum. VER. 213. Unhappy Dryden--In all Charles's days--Rofcommen only boasts unfpotted bays;] The fudden stop after mentioning the name of Dryden has a great beauty. The Poet's tenderness for his master is expreffed in the fecond line by making his cafe general; and his honour for him, in the first line, by making his cafe particular, as the only one that deserved pity. VER. 226. the Ideot and the Poor.] A foundation for the maintenance of Idiots, and a Fund for affifting the Poor, by lending fmall fums of money on demand. VER. 229. Not but there are, etc.] Nothing can be more truly humourous or witty than all that follows to ver. 240. Yet the noble fobriety of the original, or, at least, the appearance of fobriety, which is the fame thing here, is of a taste vastly fuperior to it. |