Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
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Seite 32
... traditional melodies for the holidays , and , after the war , continued to play for returning deportees . Here he is seen striding alone over bridges and bare autumnal fields against the mountainous back- drop , dressed in traditional ...
... traditional melodies for the holidays , and , after the war , continued to play for returning deportees . Here he is seen striding alone over bridges and bare autumnal fields against the mountainous back- drop , dressed in traditional ...
Seite 40
... traditional love of the Russian people for music , and their new interest in film . These combined to make a natural , if newly imported , film genre the most popular genre of the 1930s . The article , " Do We Have Musical Films ...
... traditional love of the Russian people for music , and their new interest in film . These combined to make a natural , if newly imported , film genre the most popular genre of the 1930s . The article , " Do We Have Musical Films ...
Seite 161
... traditional historians who might object to the volume on two levels . First , conservative historians might argue that by foregrounding and problematizing the aesthetic object , the historical context in these essays can become ...
... traditional historians who might object to the volume on two levels . First , conservative historians might argue that by foregrounding and problematizing the aesthetic object , the historical context in these essays can become ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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