Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
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Seite 56
... style , what is personal and what is assigned by social role coincide , but not in satire . But always at the bottom here is a heroic norm of wholeness , an ideal of the reunification of the personal and the social role . Satire starts ...
... style , what is personal and what is assigned by social role coincide , but not in satire . But always at the bottom here is a heroic norm of wholeness , an ideal of the reunification of the personal and the social role . Satire starts ...
Seite 76
... style of the Russian empire , it turned into a sign of bour- geois decadence and bad taste . In the 1930s and 1950s " eclecticism " was considered to be a crime , a kind of " cosmopolitan conspiracy " in style . As an act of aesthetic ...
... style of the Russian empire , it turned into a sign of bour- geois decadence and bad taste . In the 1930s and 1950s " eclecticism " was considered to be a crime , a kind of " cosmopolitan conspiracy " in style . As an act of aesthetic ...
Seite 87
... style in the scholarly literature seizes on the familiar anecdote which holds that Pudovkin and Eisenstein mutually defined themselves as committed to link- age and collision respectively— “ Linkage - P and Collision - E . " 4 From this ...
... style in the scholarly literature seizes on the familiar anecdote which holds that Pudovkin and Eisenstein mutually defined themselves as committed to link- age and collision respectively— “ Linkage - P and Collision - E . " 4 From this ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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