Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
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Seite 88
... space of the scene to become unstable from shot to shot . We can lose track of where this or that closeup is supposed to be at any given time . If settings are altered from shot to shot and if the editing cheats or elides , even the ...
... space of the scene to become unstable from shot to shot . We can lose track of where this or that closeup is supposed to be at any given time . If settings are altered from shot to shot and if the editing cheats or elides , even the ...
Seite 99
... space is understood in this context as the imaginary terrain in which a given dramatic scene takes place . David Bordwell offers a cogent definition : scenographic space is “ the imaginary space of the fiction , the ' world ' in which ...
... space is understood in this context as the imaginary terrain in which a given dramatic scene takes place . David Bordwell offers a cogent definition : scenographic space is “ the imaginary space of the fiction , the ' world ' in which ...
Seite 104
... space and cutting as well as the historical development of a style . Reviewing a similar phenomenon in French films from 1900 to 1914 , Ben Brewster suggests that we may have been addressing the wrong question in our emphasis on deep ...
... space and cutting as well as the historical development of a style . Reviewing a similar phenomenon in French films from 1900 to 1914 , Ben Brewster suggests that we may have been addressing the wrong question in our emphasis on deep ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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