Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
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Seite 89
... sense of narrative economy is evident in the scene through such devices as the use of the tea serving . When the Wife first offers tea to her husband , it sustains a simple piece of screen business to remind us of the domestic ...
... sense of narrative economy is evident in the scene through such devices as the use of the tea serving . When the Wife first offers tea to her husband , it sustains a simple piece of screen business to remind us of the domestic ...
Seite 130
... sense ) because Aoi , the prostitute , is real ; and because I am real . It is fiction because all art is , after all , only artifice " ( " Films " ) . Indeed , O'Rourke seems to be more interested in his own ( filmic ) rhetoric than in ...
... sense ) because Aoi , the prostitute , is real ; and because I am real . It is fiction because all art is , after all , only artifice " ( " Films " ) . Indeed , O'Rourke seems to be more interested in his own ( filmic ) rhetoric than in ...
Seite 152
... sense of being tedious and ordinary . Rather , the book investigates the space of things that are routine , especially everything that happens in the home or in the name of its sanctity . Through television , an unending replay of world ...
... sense of being tedious and ordinary . Rather , the book investigates the space of things that are routine , especially everything that happens in the home or in the name of its sanctity . Through television , an unending replay of world ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York