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Therefore , despite our admiration and piety , we are condemned to question the paradigm itself . a When one asks oneself the question , why is it precisely the critical genre that experienced such a vogue in the frames of radical ...
Therefore , despite our admiration and piety , we are condemned to question the paradigm itself . a When one asks oneself the question , why is it precisely the critical genre that experienced such a vogue in the frames of radical ...
Seite 104
Bauer raises again the question of an old dichotomy in film theory between Eisenstein's cinema of montage and the “ cinema of transparency , ” long associated with the theoretical work of André Bazin.6 In Bauer we see what has become ...
Bauer raises again the question of an old dichotomy in film theory between Eisenstein's cinema of montage and the “ cinema of transparency , ” long associated with the theoretical work of André Bazin.6 In Bauer we see what has become ...
Seite 151
Richard Dienst a In some circles , it has never been a criticism to say that a book raises more questions than it answers . As long as nobody expects answers , everything depends on the provocative quality of the questions .
Richard Dienst a In some circles , it has never been a criticism to say that a book raises more questions than it answers . As long as nobody expects answers , everything depends on the provocative quality of the questions .
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Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 3 |
| Mitwirkende | Project Muse, JSTOR (Organization), University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 1995 |
| Original von | University of Michigan |
| Digitalisiert | 25. Apr. 2008 |
| Zitat exportieren | BiBTeX EndNote RefMan |