Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
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Seite 41
... present ( James 91 ) . Richard Dyer assesses this utopian vision , or community of the musical , as “ [ a ] lternatives , hopes , wishes - these are the stuff of utopia , the sense that things could be better , that something other than ...
... present ( James 91 ) . Richard Dyer assesses this utopian vision , or community of the musical , as “ [ a ] lternatives , hopes , wishes - these are the stuff of utopia , the sense that things could be better , that something other than ...
Seite 46
... present by the nomination of futuristic top- ics , for example , the solar institute of Spring ( Alexandrov , 1947 ) . The strange ahistorical recuperation of " traditions " of Greco - Ro- man art presents itself in a double - coding ...
... present by the nomination of futuristic top- ics , for example , the solar institute of Spring ( Alexandrov , 1947 ) . The strange ahistorical recuperation of " traditions " of Greco - Ro- man art presents itself in a double - coding ...
Seite 81
... presents " superidealization and superparody at once . " Like the Abyss , The Gardens of Scorpio is a love affair with world cinema and art . Meret Oppenheim's fur cup is present here as a nostalgic surrealist artifact , a cipher for ...
... presents " superidealization and superparody at once . " Like the Abyss , The Gardens of Scorpio is a love affair with world cinema and art . Meret Oppenheim's fur cup is present here as a nostalgic surrealist artifact , a cipher for ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York