Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
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Seite 58
... period of few films , " or of " film hunger , " to use Peter Kenez's expression from his book Cinema and Soviet Society , 1917–1953 . In terms of sheer quantity , the Soviet cinema of the late forties and early fifties experienced a ...
... period of few films , " or of " film hunger , " to use Peter Kenez's expression from his book Cinema and Soviet Society , 1917–1953 . In terms of sheer quantity , the Soviet cinema of the late forties and early fifties experienced a ...
Seite 101
... period in Russia were suddenly available in international retrospectives . ' These retro- spectives have unveiled for scholars the very cinema that epitomizes bourgeois cinema in the silent period . Here , at last , is the cinema that ...
... period in Russia were suddenly available in international retrospectives . ' These retro- spectives have unveiled for scholars the very cinema that epitomizes bourgeois cinema in the silent period . Here , at last , is the cinema that ...
Seite 103
... period is bourgeois . The cinema of the tsarist period is not only a cinema complicit in a representation of a world that would flatter the middle class point of view . This is not just an exclusive cinema , it is a propertied cinema ...
... period is bourgeois . The cinema of the tsarist period is not only a cinema complicit in a representation of a world that would flatter the middle class point of view . This is not just an exclusive cinema , it is a propertied cinema ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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