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Seite 64
often once , twice , or several times in a row the readers communicated to the beloved author one and the same concern : the novel was lacking an end . The author was solicited to reveal “ what followed " : Why did he fail to depict the ...
often once , twice , or several times in a row the readers communicated to the beloved author one and the same concern : the novel was lacking an end . The author was solicited to reveal “ what followed " : Why did he fail to depict the ...
Seite 65
In doing so , the film obliterated from the story's “ memory " any chance of recovering part of its original transparency : it closed any access to the " deep structure " embedded in the novel . This “ deep structure , ” which ...
In doing so , the film obliterated from the story's “ memory " any chance of recovering part of its original transparency : it closed any access to the " deep structure " embedded in the novel . This “ deep structure , ” which ...
Seite 67
It left a much better impression on me than the film , adapted from the novel . The author succeeded in depicting a Soviet collective which fears neither difficulties nor other biases . It is difficult to chose in this book a hero whom ...
It left a much better impression on me than the film , adapted from the novel . The author succeeded in depicting a Soviet collective which fears neither difficulties nor other biases . It is difficult to chose in this book a hero whom ...
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Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 3 |
| Mitwirkende | Project Muse, JSTOR (Organization), University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 1995 |
| Original von | University of Michigan |
| Digitalisiert | 25. Apr. 2008 |
| Zitat exportieren | BiBTeX EndNote RefMan |