Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
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Seite 15
... never delivered by our factory - kitchens ) . We find accompanying the myth of the “ vamp , ” an industry of eroticizing adornments or accessories for women . The whole huge institution of fashion , advertisements , cosmetics , perfumes ...
... never delivered by our factory - kitchens ) . We find accompanying the myth of the “ vamp , ” an industry of eroticizing adornments or accessories for women . The whole huge institution of fashion , advertisements , cosmetics , perfumes ...
Seite 26
... never left Beregova ! " As he comments on the destruction of the largest of the village's six synagogues to make way for a Stalinist culture house , we see photo- graphs of the contemporary , now monumental architecture super- imposed ...
... never left Beregova ! " As he comments on the destruction of the largest of the village's six synagogues to make way for a Stalinist culture house , we see photo- graphs of the contemporary , now monumental architecture super- imposed ...
Seite 43
... never completely regained the success and appeal of either the public or the directors . The 1956 Carnival Night by Eldar Riazanov steals blatantly from Volga , Volga , including the final aperture direct address . Its star , Ludmila ...
... never completely regained the success and appeal of either the public or the directors . The 1956 Carnival Night by Eldar Riazanov steals blatantly from Volga , Volga , including the final aperture direct address . Its star , Ludmila ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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