Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
Im Buch
Ergebnisse 1-3 von 17
Seite 41
Berkeley Journal for Theoretical Studies in Media and Culture. The complementary natures of the musical and Socialist ... nature of the musical and its dichotomy between the " real " and utopian time frames , that is , where time would ...
Berkeley Journal for Theoretical Studies in Media and Culture. The complementary natures of the musical and Socialist ... nature of the musical and its dichotomy between the " real " and utopian time frames , that is , where time would ...
Seite 86
... nature of Pudovkin's commitment to continuity editing in practice and to its ideology of coherent scenographic space , the sort of space ostensi- bly inhabited by the ideal observer ? What is the nature of sceno- graphic space in ...
... nature of Pudovkin's commitment to continuity editing in practice and to its ideology of coherent scenographic space , the sort of space ostensi- bly inhabited by the ideal observer ? What is the nature of sceno- graphic space in ...
Seite 133
... nature of his relationship with Aoi , O'Rourke invites the audience to identify with an unmarked , yet superior- because - first - hand , view of the subject - that of the " Western men " described in the opening . ― Aoi's national ...
... nature of his relationship with Aoi , O'Rourke invites the audience to identify with an unmarked , yet superior- because - first - hand , view of the subject - that of the " Western men " described in the opening . ― Aoi's national ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York