Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
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Seite 47
... narrative then spends its basic energy on solving the political problem , and once closure of the political narrative is achieved , the love interest narrative is resur- rected and closed , with the aperture ending the film . The ...
... narrative then spends its basic energy on solving the political problem , and once closure of the political narrative is achieved , the love interest narrative is resur- rected and closed , with the aperture ending the film . The ...
Seite 89
... narrative exploitation — its signifying potential has been so effectively used up — that it is dispensed with when it disappears through the window . This level of narrative intensity assigned to a single object evokes André Bazin's ...
... narrative exploitation — its signifying potential has been so effectively used up — that it is dispensed with when it disappears through the window . This level of narrative intensity assigned to a single object evokes André Bazin's ...
Seite 131
... narrative ( and even after it3 ) , O'Rourke has not appeared on screen . His “ locating ” narrative reveals neither his race nor his national origin : one can infer that he is among the " Western men " he alludes to , but even this ...
... narrative ( and even after it3 ) , O'Rourke has not appeared on screen . His “ locating ” narrative reveals neither his race nor his national origin : one can infer that he is among the " Western men " he alludes to , but even this ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York