Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
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... myth , developed as a critique of the powerful function of mythification in bourgeois culture . What if , she argues , we consider instead the myths on the Left , among which we find the myth of women's emancipation , the myth of the ...
... myth , developed as a critique of the powerful function of mythification in bourgeois culture . What if , she argues , we consider instead the myths on the Left , among which we find the myth of women's emancipation , the myth of the ...
Seite 15
... myth of the bourgeois family and mother and the ambivalent myth of the femme fatale . - - The myth of the family takes the private home or apartment as its locus standi . But the myth of the home in turn presupposes a huge industry for ...
... myth of the bourgeois family and mother and the ambivalent myth of the femme fatale . - - The myth of the family takes the private home or apartment as its locus standi . But the myth of the home in turn presupposes a huge industry for ...
Seite 16
... myths of the left to be contingent and poor , especially the myth of Stalin . ( Barthes : " In fact , what can be more meagre than the Stalin myth " [ 148 ] . ) Was it not left - wing myths that enabled the transformation of one- sixth ...
... myths of the left to be contingent and poor , especially the myth of Stalin . ( Barthes : " In fact , what can be more meagre than the Stalin myth " [ 148 ] . ) Was it not left - wing myths that enabled the transformation of one- sixth ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York