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Seite 38
Why Stalinist Musicals ? Trudy Anderson From 1934 to 1941 the musical genre was at its height in the Soviet Union . Its birth really coincided with that of Socialist Realism in film , in 1934 , so it is not surprising that these new ...
Why Stalinist Musicals ? Trudy Anderson From 1934 to 1941 the musical genre was at its height in the Soviet Union . Its birth really coincided with that of Socialist Realism in film , in 1934 , so it is not surprising that these new ...
Seite 41
The complementary natures of the musical and Socialist Realism on a theoretical level can be explained by an analysis of the structures of both . The method of both the musical and Socialist Realism ( James 90 ) necessitated ...
The complementary natures of the musical and Socialist Realism on a theoretical level can be explained by an analysis of the structures of both . The method of both the musical and Socialist Realism ( James 90 ) necessitated ...
Seite 43
In the fifties interest in musicals in the Soviet Union had declined , but in the sixties , with the wave of British and American musicals , " musical fever " hit the Soviet Union . Still , musicals never completely regained the success ...
In the fifties interest in musicals in the Soviet Union had declined , but in the sixties , with the wave of British and American musicals , " musical fever " hit the Soviet Union . Still , musicals never completely regained the success ...
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Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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