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Seite 102
... Russians to the French is reversed in the earlier movement of revolutionary theatre from post - 1789 France to post - 1917 Russia where French popular melodrama provided a model of how to swiftly concretize the political situation .
... Russians to the French is reversed in the earlier movement of revolutionary theatre from post - 1789 France to post - 1917 Russia where French popular melodrama provided a model of how to swiftly concretize the political situation .
Seite 105
The Moral Teleology of Russian Melodrama Prerevolutionary Russian cinema is a cinema of prolonged melos in addition to a cinema of texture and plane . As such , it poses questions for melodrama theory as well as for film aesthetics .
The Moral Teleology of Russian Melodrama Prerevolutionary Russian cinema is a cinema of prolonged melos in addition to a cinema of texture and plane . As such , it poses questions for melodrama theory as well as for film aesthetics .
Seite 111
Bauer's melodramas , like missing puzzle pieces , start to explain something about how it was that the Soviet avant ... ( Qtd . in Levaco 127 ) And this same formula was not limited to action films but worked within melodrama , as the ...
Bauer's melodramas , like missing puzzle pieces , start to explain something about how it was that the Soviet avant ... ( Qtd . in Levaco 127 ) And this same formula was not limited to action films but worked within melodrama , as the ...
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Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 3 |
| Mitwirkende | Project Muse, JSTOR (Organization), University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 1995 |
| Original von | University of Michigan |
| Digitalisiert | 25. Apr. 2008 |
| Zitat exportieren | BiBTeX EndNote RefMan |