Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
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... lives were permanently altered and riven by the uprising.17 Judit Elek's Tutajosok ( Memories of a River ) , the first post - 1989 Franco - Hungarian feature co - production to explicitly denounce Hungarian anti - Semitism and the first ...
... lives were permanently altered and riven by the uprising.17 Judit Elek's Tutajosok ( Memories of a River ) , the first post - 1989 Franco - Hungarian feature co - production to explicitly denounce Hungarian anti - Semitism and the first ...
Seite 121
... live stag beetles fighting ; to quote Starewicz's own account , “ I mounted suitable settings and an arc lamp on a table ... lives to be reborn and do the act ! as animated puppets . To make them move as beetles should , Starewicz under ...
... live stag beetles fighting ; to quote Starewicz's own account , “ I mounted suitable settings and an arc lamp on a table ... lives to be reborn and do the act ! as animated puppets . To make them move as beetles should , Starewicz under ...
Seite 153
... lives into occasions for inventive rebellion and insistent autonomy . Gracie and Lucy turn out to be more than allegorical figures for the undecidability between structural role and subjective agency : they are here presented as ...
... lives into occasions for inventive rebellion and insistent autonomy . Gracie and Lucy turn out to be more than allegorical figures for the undecidability between structural role and subjective agency : they are here presented as ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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