Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
Im Buch
Ergebnisse 1-3 von 23
Seite 76
... kind of " cosmopolitan conspiracy " in style . As an act of aesthetic revenge in the 1980s , eclecticism became a single concept that united many directors , artists , and writers of the time . Stylistic impurity and eclecticism were ...
... kind of " cosmopolitan conspiracy " in style . As an act of aesthetic revenge in the 1980s , eclecticism became a single concept that united many directors , artists , and writers of the time . Stylistic impurity and eclecticism were ...
Seite 110
... kind of historically specific map of the moral scheme of things in a particular culture . Yes , the Russian melodramas appear like tragedy in their use of the " apparently insoluble situation " ( 247 ) . However , Heilman cautions ...
... kind of historically specific map of the moral scheme of things in a particular culture . Yes , the Russian melodramas appear like tragedy in their use of the " apparently insoluble situation " ( 247 ) . However , Heilman cautions ...
Seite 152
... kind of effort , running throughout the book , which tries to describe , perform , and validate a special kind of knowledge one which would draw out of television just what has already been drawn into it , especially the materi- ality ...
... kind of effort , running throughout the book , which tries to describe , perform , and validate a special kind of knowledge one which would draw out of television just what has already been drawn into it , especially the materi- ality ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
10 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action aesthetic American appears audience become begins bourgeois called camera carnival characters cinema classical collective completely construction continuity criticism culture direct director discourse discussion documentary Duke University early editing essays example fact feminist Figure film filmmaker finally genre heroes Hungarian identity interest interview issues Jewish kind language lesbian literary literature lives locate look mass meaning melodrama Moscow musical myth narrative nature never Night Notes novel O'Rourke O'Rourke's observer offers performance perhaps period played political popular position present produced Pudovkin's question readers reality relation relationship representation reveals Russian scene seems sense sexual shot social Socialist Realist Soviet space specific stage Stalin Stalinist story studies style suggests takes Thai theory tion traditional turn University Western woman women writing York young