Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
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Seite 43
... interest in musicals in the Soviet Union had declined , but in the sixties , with the wave of British and American musicals , " musical fever " hit the Soviet Union . Still , musicals never completely regained the success and appeal of ...
... interest in musicals in the Soviet Union had declined , but in the sixties , with the wave of British and American musicals , " musical fever " hit the Soviet Union . Still , musicals never completely regained the success and appeal of ...
Seite 47
... interest while dealing with the political interest is a typical double - plotting formula of Socialist Realist films in which the love interest begins the film but is fore- stalled by a political difficulty . The narrative then spends ...
... interest while dealing with the political interest is a typical double - plotting formula of Socialist Realist films in which the love interest begins the film but is fore- stalled by a political difficulty . The narrative then spends ...
Seite 112
... interest in prerevolutionary films ( Eisenstein 202 ) . It was after seeing these " amazing ( and amazingly useless ! ) works from an unknown country " that they began to consider , as he said , the " possibilities of a profound ...
... interest in prerevolutionary films ( Eisenstein 202 ) . It was after seeing these " amazing ( and amazingly useless ! ) works from an unknown country " that they began to consider , as he said , the " possibilities of a profound ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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