Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
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Seite 40
... genre the most popular genre of the 1930s . The article , " Do We Have Musical Films ? " points out that Russia has always been a “ singing nation . ” In Trans- Caucasia , " most people have a perfect ear for music " and " Baltic choir ...
... genre the most popular genre of the 1930s . The article , " Do We Have Musical Films ? " points out that Russia has always been a “ singing nation . ” In Trans- Caucasia , " most people have a perfect ear for music " and " Baltic choir ...
Seite 41
... genre was made for Socialist Realism . Still , the musical genre in the Soviet Union did not get off to a completely autonomous start . Alexandrov's Jolly Fellows was shown at the International Film Exhibition in Venice in 1934 and was ...
... genre was made for Socialist Realism . Still , the musical genre in the Soviet Union did not get off to a completely autonomous start . Alexandrov's Jolly Fellows was shown at the International Film Exhibition in Venice in 1934 and was ...
Seite 48
... genre where the woman was central to the narrative as the major protagonist of an extra- textual discourse — the political and aesthetic discourse of Socialist Realism . Her representation took on the gender - transcending im- age of ...
... genre where the woman was central to the narrative as the major protagonist of an extra- textual discourse — the political and aesthetic discourse of Socialist Realism . Her representation took on the gender - transcending im- age of ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York