Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
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Seite 42
... films were far inferior to Alexandrov's . But they were even more democratic and " folksy ” and much loved by the audiences . ( 5 ) Ivan Pyriev had begun his career working for the director Yuri Tarich , and made his first film , a ...
... films were far inferior to Alexandrov's . But they were even more democratic and " folksy ” and much loved by the audiences . ( 5 ) Ivan Pyriev had begun his career working for the director Yuri Tarich , and made his first film , a ...
Seite 79
... cinema , not only the art films , is about to become elite cinema , often against the will of the directors . ( The films made by the directors of the former Soviet Union are practically unavailable for domestic audiences and are shown ...
... cinema , not only the art films , is about to become elite cinema , often against the will of the directors . ( The films made by the directors of the former Soviet Union are practically unavailable for domestic audiences and are shown ...
Seite 105
... cinema is a cinema of prolonged melos in addition to a cinema of texture and plane . As such , it poses questions for melodrama theory as well as for film aesthetics . In Poetics of Melodrama , the premiere critical work published on ...
... cinema is a cinema of prolonged melos in addition to a cinema of texture and plane . As such , it poses questions for melodrama theory as well as for film aesthetics . In Poetics of Melodrama , the premiere critical work published on ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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