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The same editor in chief introduced in Azhaev's text his own fantasies and his proper line of literary conduct , to be followed on pain of death , in the literary or literal sense . a Scraps of Azhaev's subjectivity , rescued from his ...
The same editor in chief introduced in Azhaev's text his own fantasies and his proper line of literary conduct , to be followed on pain of death , in the literary or literal sense . a Scraps of Azhaev's subjectivity , rescued from his ...
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or ideal observer , a construction which suggests a certain innate logic to the conventions of continuity editing . Its very familiarity suggests that it requires little extended elaboration except to explain how Pudovkin uses it .
or ideal observer , a construction which suggests a certain innate logic to the conventions of continuity editing . Its very familiarity suggests that it requires little extended elaboration except to explain how Pudovkin uses it .
Seite 88
If settings are altered from shot to shot and if the editing cheats or elides , even the ideal observer might have difficulty getting his / her bearings . There would be no prior world for the ideal observer to observe .
If settings are altered from shot to shot and if the editing cheats or elides , even the ideal observer might have difficulty getting his / her bearings . There would be no prior world for the ideal observer to observe .
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Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 3 |
| Mitwirkende | Project Muse, JSTOR (Organization), University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 1995 |
| Original von | University of Michigan |
| Digitalisiert | 25. Apr. 2008 |
| Zitat exportieren | BiBTeX EndNote RefMan |