Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
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Seite 65
... editor in chief of Novy mir1 and the future Stalin Prize laureate , forced the latter to rewrite his love stories and other — less innocent · allusions to the past ( see Lahusen , “ Mezhdu inzhenierami ” ) . The same editor in chief ...
... editor in chief of Novy mir1 and the future Stalin Prize laureate , forced the latter to rewrite his love stories and other — less innocent · allusions to the past ( see Lahusen , “ Mezhdu inzhenierami ” ) . The same editor in chief ...
Seite 86
... editing . Its very familiarity suggests that it requires little extended elaboration except to explain how Pudovkin uses it . Pudovkin's observer is distinct from the film spectator sitting in the theater . It is an entity which can ...
... editing . Its very familiarity suggests that it requires little extended elaboration except to explain how Pudovkin uses it . Pudovkin's observer is distinct from the film spectator sitting in the theater . It is an entity which can ...
Seite 88
... editing cheats or elides , even the ideal observer might have difficulty getting his / her bearings . There would be no prior world for the ideal observer to observe . Shots , then , could hardly be said to be excerpted out of a ...
... editing cheats or elides , even the ideal observer might have difficulty getting his / her bearings . There would be no prior world for the ideal observer to observe . Shots , then , could hardly be said to be excerpted out of a ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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