Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
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Seite 99
... discussion of the classical Holly- wood style and how it was formulated , see Bordwell , Staiger , and Thomp- son ... discussions about their differing views of montage . Eisenstein then summarized their differences by committing a note ...
... discussion of the classical Holly- wood style and how it was formulated , see Bordwell , Staiger , and Thomp- son ... discussions about their differing views of montage . Eisenstein then summarized their differences by committing a note ...
Seite 112
... discussion of cinema as a " mon- tage of attractions , " considers the way emotional " shocks " can be precisely calculated ( Taylor 34 , 49 ) . Certainly the roller coaster ride of melodramatic shot alternation and fast , rhythmic ...
... discussion of cinema as a " mon- tage of attractions , " considers the way emotional " shocks " can be precisely calculated ( Taylor 34 , 49 ) . Certainly the roller coaster ride of melodramatic shot alternation and fast , rhythmic ...
Seite 161
... discussing Pabst's Kameradschaft is not to engage in a discussion of the status of the interna- tional proletariat in the early 1930s ; nor is it , more narrowly , to discuss a particular German view of that proletariat . Rather ...
... discussing Pabst's Kameradschaft is not to engage in a discussion of the status of the interna- tional proletariat in the early 1930s ; nor is it , more narrowly , to discuss a particular German view of that proletariat . Rather ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York