Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
Im Buch
Ergebnisse 1-3 von 14
Seite 43
... direct address . Its star , Ludmila Gurchenko , who in 1982 won the best actress award at the Manila International Film Festival for Beloved Woman of Mechanic Gavrilov , never became a great star like Lyubov Orlova or Marina Ladynina in ...
... direct address . Its star , Ludmila Gurchenko , who in 1982 won the best actress award at the Manila International Film Festival for Beloved Woman of Mechanic Gavrilov , never became a great star like Lyubov Orlova or Marina Ladynina in ...
Seite 45
... direct address is used at the narrative's closure to protest the end of the film and then the film continues on with the direct address to the audience in a didactic songfest . Finally , the performers bow , with a sign - " the end ...
... direct address is used at the narrative's closure to protest the end of the film and then the film continues on with the direct address to the audience in a didactic songfest . Finally , the performers bow , with a sign - " the end ...
Seite 76
... direct demystification . The language of journalistic directness used to be more suspect in the Russian tradition than in the American tradi- tion , since in Soviet Russia intellectuals and artists were accustomed to the " Aesopian ...
... direct demystification . The language of journalistic directness used to be more suspect in the Russian tradition than in the American tradi- tion , since in Soviet Russia intellectuals and artists were accustomed to the " Aesopian ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York