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Seite 50
lar " massism ” and collective creative activity to the bureaucratic " scornful attitude towards people ” and “ disbelief in the creative powers of the people . ” Both films portray the victory of the joyous , laughing collective over a ...
lar " massism ” and collective creative activity to the bureaucratic " scornful attitude towards people ” and “ disbelief in the creative powers of the people . ” Both films portray the victory of the joyous , laughing collective over a ...
Seite 54
The principal thing which distinguishes the amateur world of the collective is directness . The bureaucrat on the contrary understands the world through mediation . For example , there is the indirectness of Byvalov's behavior : the ...
The principal thing which distinguishes the amateur world of the collective is directness . The bureaucrat on the contrary understands the world through mediation . For example , there is the indirectness of Byvalov's behavior : the ...
Seite 60
It turns out to be confirmed on the level of the “ masses ” : a certain Karpov , a “ simple fisherman , true inhabitant of the Adun ” ( and chairman of a big collective farm ) , first came up with the idea of the left bank .
It turns out to be confirmed on the level of the “ masses ” : a certain Karpov , a “ simple fisherman , true inhabitant of the Adun ” ( and chairman of a big collective farm ) , first came up with the idea of the left bank .
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Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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