Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
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Seite 54
... begins in the very same place where Volga - Volga concluded twenty years before . The object of ridicule in both films is identical : the bureaucrat played by Ilinsky . But the bureaucrat is an authority figure , and by means of the ...
... begins in the very same place where Volga - Volga concluded twenty years before . The object of ridicule in both films is identical : the bureaucrat played by Ilinsky . But the bureaucrat is an authority figure , and by means of the ...
Seite 111
... begins with D. W. Griffith . With the restoration of Russian prerevolutionary cinema to its place in cinema history , Eisenstein's fascination with Griffith begins to make more sense . Bauer's melodramas , like missing puzzle pieces ...
... begins with D. W. Griffith . With the restoration of Russian prerevolutionary cinema to its place in cinema history , Eisenstein's fascination with Griffith begins to make more sense . Bauer's melodramas , like missing puzzle pieces ...
Seite 148
... begins filming just after his own admission . O'Rourke's offer is conditioned on her quitting prostitution , couched in paternalistic terms ( “ It's too dangerous for you here . It's not like before . Many women like you are dying of ...
... begins filming just after his own admission . O'Rourke's offer is conditioned on her quitting prostitution , couched in paternalistic terms ( “ It's too dangerous for you here . It's not like before . Many women like you are dying of ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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