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Seite 54
It can be said that Carnival Night begins in the very same place where Volga - Volga concluded twenty years before . The object of ridicule in both films is identical : the bureaucrat played by Ilinsky .
It can be said that Carnival Night begins in the very same place where Volga - Volga concluded twenty years before . The object of ridicule in both films is identical : the bureaucrat played by Ilinsky .
Seite 111
With the restoration of Russian prerevolutionary cinema to its place in cinema history , Eisenstein's fascination with Griffith begins to make more sense . Bauer's melodramas , like missing puzzle pieces , start to explain something ...
With the restoration of Russian prerevolutionary cinema to its place in cinema history , Eisenstein's fascination with Griffith begins to make more sense . Bauer's melodramas , like missing puzzle pieces , start to explain something ...
Seite 148
Say love me , I don't believe ” ) imply that O'Rourke has just told her he loves her , but he begins filming just after his own admission . O'Rourke's offer is conditioned on her quitting prostitution , couched in paternalistic terms ...
Say love me , I don't believe ” ) imply that O'Rourke has just told her he loves her , but he begins filming just after his own admission . O'Rourke's offer is conditioned on her quitting prostitution , couched in paternalistic terms ...
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Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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