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Seite 18
In terms of work , the woman most often appears in Soviet film in relation to men as the character not only with equal rights , but often more advanced , the “ foremost . ” Her merit is gauged by her accomplishments in work .
In terms of work , the woman most often appears in Soviet film in relation to men as the character not only with equal rights , but often more advanced , the “ foremost . ” Her merit is gauged by her accomplishments in work .
Seite 133
By the time this narrative appears on screen the audience has been invited to construct Aoi in terms of a specific national image . What I have been calling the film's " opening ” narrative does not actually occur until a few minutes ...
By the time this narrative appears on screen the audience has been invited to construct Aoi in terms of a specific national image . What I have been calling the film's " opening ” narrative does not actually occur until a few minutes ...
Seite 147
Her arms are pinned to her sides by O'Rourke's arms as he cradles the camera ; she appears stiff and uncomfortable , although she is slightly smiling . This image appears nowhere in the film it was included in the film publicity packet ...
Her arms are pinned to her sides by O'Rourke's arms as he cradles the camera ; she appears stiff and uncomfortable , although she is slightly smiling . This image appears nowhere in the film it was included in the film publicity packet ...
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Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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