Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
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Seite 85
... Pudovkin's theo- retical tenets continued uninterrupted through the 1960s.1 - Clearly , Pudovkin's writings proved palatable to a Western audi- ence familiar with Hollywood conventions of continuity filmmaking . His theory seemed to ...
... Pudovkin's theo- retical tenets continued uninterrupted through the 1960s.1 - Clearly , Pudovkin's writings proved palatable to a Western audi- ence familiar with Hollywood conventions of continuity filmmaking . His theory seemed to ...
Seite 86
... Pudovkin uses it . Pudovkin's observer is distinct from the film spectator sitting in the theater . It is an entity which can move around magically and witness events from a plurality of perspicuous perspectives as it follows events ...
... Pudovkin uses it . Pudovkin's observer is distinct from the film spectator sitting in the theater . It is an entity which can move around magically and witness events from a plurality of perspicuous perspectives as it follows events ...
Seite 87
... Pudovkin's theoretical writings . Prior consideration of Pudovkin's film style in the scholarly literature seizes on the familiar anecdote which holds that Pudovkin and Eisenstein mutually defined themselves as committed to link- age ...
... Pudovkin's theoretical writings . Prior consideration of Pudovkin's film style in the scholarly literature seizes on the familiar anecdote which holds that Pudovkin and Eisenstein mutually defined themselves as committed to link- age ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York