Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
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Seite 92
... ( figures 4-5 ) . Sound cues and motivated glances establish the table - window axis , as when the Wife and Worker exchange glances through the window when he is ... Figure 7 . grab the glass , all the while undetected by the. 92 Discourse ...
... ( figures 4-5 ) . Sound cues and motivated glances establish the table - window axis , as when the Wife and Worker exchange glances through the window when he is ... Figure 7 . grab the glass , all the while undetected by the. 92 Discourse ...
Seite 95
... ( figure 13 ) . Occasional character glances from one location to another , as when the Daughter looks up from her food in the direction of the Lad and Old Woman ( figure 14 ) ... Figure 11 . Figure 12 . Figure 13 . Figure 14 . Spring 1995 95.
... ( figure 13 ) . Occasional character glances from one location to another , as when the Daughter looks up from her food in the direction of the Lad and Old Woman ( figure 14 ) ... Figure 11 . Figure 12 . Figure 13 . Figure 14 . Spring 1995 95.
Seite 98
... ( figure 15 ) . Meanwhile , the Wife tends to a baby at a bed in a corner of the flat ( figure 16 ) . The distance from the bed to the table remains very vague , although a gaze from the Wife back into the center of the room suggests that ...
... ( figure 15 ) . Meanwhile , the Wife tends to a baby at a bed in a corner of the flat ( figure 16 ) . The distance from the bed to the table remains very vague , although a gaze from the Wife back into the center of the room suggests that ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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