Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 31995 |
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Seite 49
... Carnival Night ( 1956 ) , to single out some essential characteristics of state - appro- priated laughter . A twenty - year slice of history lies between these films . They reflect two different moments of Soviet history and culture ...
... Carnival Night ( 1956 ) , to single out some essential characteristics of state - appro- priated laughter . A twenty - year slice of history lies between these films . They reflect two different moments of Soviet history and culture ...
Seite 53
... Carnival Night , " Comrade Ogurtsov " addresses the specta- tors . But theatrical projection does not disappear during the course of the whole picture : In Volga - Volga the actors continually turn directly towards the camera ( that is ...
... Carnival Night , " Comrade Ogurtsov " addresses the specta- tors . But theatrical projection does not disappear during the course of the whole picture : In Volga - Volga the actors continually turn directly towards the camera ( that is ...
Seite 54
... Carnival Night we find ourselves already in a space of perfected utopia . Strictly speaking , the very situation of this film is oxymoronic : the carnival is orga- nized in the Palace of Culture , on a stage . In Volga - Volga the carnival ...
... Carnival Night we find ourselves already in a space of perfected utopia . Strictly speaking , the very situation of this film is oxymoronic : the carnival is orga- nized in the Palace of Culture , on a stage . In Volga - Volga the carnival ...
Inhalt
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York