History of Mediaeval ArtHarper & Brothers, 1887 - 743 Seiten |
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Abbey Church altar ancient antependium antique appear apse Arabian arcades arches architect architectural arrangement artistic attained Baptistery barrel-vaults basilicas buildings built Byzantine capitals Carolingian carvings Cathedral chaitya chapels character Charlemagne Charles the Bald choir Church of St classic clerestory cloisters Cologne colored construction cornices court cross-vaults crypt cupola dating decorations display dome early Christian ecclesiastical edifices eleventh century Emperor employed engaged columns entirely erected especially evident executed exterior façade figures forms France French Fulda Gall galleries Germany Gothic style hall horizontal ceilings imitation important influence interior introduced Italy later Lombardic masonry ment Merovingian Minster models Mohammedan monuments mosaics Mosque nave Norman Northern original ornamentation Ostrogoths painting Palace Paris peculiar period piers pilasters portal preserved provinces Ravenna relief remains Romanic epoch Romanic style Rome roof Saxony sculpture shafts side aisles similar stone structure supports tion towers traditions transept twelfth century vaults walls
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Seite 620 - Woodcuts, 10s. 6d. ITALIAN SCULPTORS ; being a History of Sculpture in Northern, Southern, and Eastern Italy. By CC PEKKIXS. With 30 Etchings and 13 Wood Engravings. Imperial 8vo. 42s. TUSCAN SCULPTORS, their Lives, Works, and Times, With 45 Etchings and 28 Woodcuts from Original Drawings and Photographs.
Seite 236 - And he changed his behaviour before them, and feigned himself mad in their hands, and scrabbled on the doors of the gate, and let his spittle fall down upon his beard.
Seite 289 - At the end of the eleventh and the beginning of the twelfth century a great revival took place in art.
Seite 621 - Nativity, — the Adoration of the Magi, — the Presentation in the Temple, — the Crucifixion, — and the Last Judgment.
Seite xxix - It has been the great desire of the author to present a history of artistic evolution more logical and more consequential than those with which he is acquainted.
Seite 388 - ... unto death ; and they then prepare to depart into the land of Judea. Martha and Mary, perhaps, had given up all hope of a visit from Jesus ; nor do they appear to have had any expectation, that now their brother was dead, he would be raised again to life ; and yet, had they not heard of the raising of the daughter of Jairus, and of the son of the widow of Nain ? Or had their grief so overwhelmed their minds, that they had forgotten these proofs of the power of Christ ? They carried the body to...
Seite xxviii - The preeminence of Italy, after the first decades of the fifteenth century, may be compared to that of France in the middle of the twelfth; it was, in artistic respects, more than fifty years in advance of the rest of Europe
Seite 399 - Die Miniaturen des Codex Egberti in der Stadtbibliothek zu Trier (Freiburg, 1884); Die Wandgemälde der S.
Seite xxiv - German style, we are told in the preface (p. xxvi), " was not of great extent. Western France, Northern Italy, and some districts of Eastern and Northern Europe adopted the principles of German architecture; but in the main the French and Italians followed an independent course of development.
Seite 104 - Spalatro, which cannot be of a much more recent date, is of quite a different style, the passage of the Red Sea by the Israelites and the destruction of Pharaoh and his...