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Those smiling eyes, attempering every ray,
Shone sweetly lambent with celestial day.
Guiltless I gaz'd; Heaven listen'd while you sung;
And truths divine came mended from that tongue.
From lips like those what precept fail'd to move?
"Too soon they taught me 'twas no six to love:
Back through the paths of pleasing sense I ran,
Nor wish'd an angel whom I lov'd a man.
Dim and remote the joys of saints I see,
Nor envy them that fleaven I lose for thee.

How oft, when press'd to marriage, have I said, Curse on all laws but those which Love has made! Love, free as air, at sight of human ties, Spreads his light wings, and in a moment flies. Let wealth, let honour, wait the wedded dame, August her deed, and sacred be her fame; Before true passion all those views remove; Fame, wealth, and honour! what are you to love? The jealous god, when we prophane his fires, Those restless passions in revenge inspires, And bids them make mistaken mortals groan, Who seek in love for aught but love alone. Should at my feet the world's great master fall, Himself, his throne, his world, I'd scorn them all : Not Cæsar's empress would I deign to prove; No, make me mistress to the man I love.

If there be yet another name more free, More fond than mistress, make me that to thee! Oh, happy state! when souls each other draw, When love is liberty, and Nature law : All then is full, possessing and possess'd, No craving void left aching in the breast: Ev'n thought meets thought, ere from the lips it And each warm wish springs mutual from the heart. This sure is bliss (if bliss on Earth there be) And once the lot of Abelard and me.

[part,

Alas, how chang'd! what sudden horrours rise! A naked lover bound and bleeding lies! Where, where was Eloïse? her voice, her hand, Her ponyard had oppos'd the dire command. Barbarian, stay! that bloody stroke restrain; The crime was common, common be the pain. I can no more; by shame, by rage suppress'd, Let tears and burning blushes speak the rest.

Canst thou forget that sad, that solemn day, When victims at yon altar's foot we lay? Canst thou forget what tears that moment fell, When, warm in youth, I bade the world farewell? As with cold lips I kiss'd the sacred veil, The shrines all trembled and the lamps grew pale: Heaven scarce believ'd the conquest it survey'd, And saints with wonder heard the vows I made. Yet then, to those dread altars as I drew, Not on the cross my eyes were fix'd, but you: Not grace, or zeal, love only was my call; And if I lose thy love, I lose my all. Come! with thy looks, thy words, relieve my woe; Those still at least are left thee to bestow. Still on that breast enamour'd let me lie, Still drink delicious poison from thy eye, Pant on thy lip, and to thy heart be press'd; Give all thou canst-and let me dream the rest. Ah, no instruct me other joys to prize, With other beauties charm my partial eyes, Full in my view set all the bright abode, And make my soul quit Abelard for God.

Ah, think at least thy flock deserves thy care, Plants of thy hand, and children of thy prayer. From the false world in early youth they fled, By thee to mountains, wilds, and deserts led

You rais'd these hallow'd walls; the desert smil'd
And Paradise was open'd in the wild,
No weeping orphan saw his father's stores
Our shrines irradiate, or emblaze the floors;
No silver saints, by dying misers given,
Here bribe the rage of ill-requited Heaven;
But such plain roofs as Piety could raise,
And only vocal with the Maker's praise.
In these lone walls, (their days eternal bound)
These moss-grown domes with spiry turrets crown'd,
Where awful arches make a noon-day night,
And the dim windows shed a solemn light;
Thy eyes diffus'd a reconciling ray,
And gleams of glory brighten'd all the day.
But now no face divine contentment wears,
"Tis all blank sadness, or continual tears.
See how the force of others' prayers I try,
(O pious fraud of amorous charity!)
But why should I on others' prayers depend?
Come thou, my father, brother, husband, friend!
Ah, let thy handmaid, sister, daughter, move,
And all those tender names in one, thy love!
The darksome pines that o'er yon rocks reclin'd
Wave high, and murmur to the hollow wind,
The wandering streams that shine between the hills,
The grots that echo to the tinkling rills,
The dying gales that pant upon the trees,
The lakes that quiver to the curling breeze;
No more these scenes my meditation aid,
Or lull to rest the visionary maid:
But o'er the twilight groves and dusky caves,
Long-sounding aisles, and intermingled graves,
Black Melancholy sits, and round her throws
A death-like silence, and a dread repose;
Her gloomy presence saddens all the scene,
Shades every flower and darkens every green,
Deepens the murmur of the falling floods,
And breathes a browner horrour on the woods

Yet here for ever, ever must I stay; Sad proof how well a lover can obey!

Death, only Death, can break the lasting chain;
And here, ev'n then, shall my cold dust remain;
Here all its frailties, all its flames resign,
And wait till 'tis no sin to mix with thine.

|

Ah, wretch! believ'd the spouse of God in vain, Confess'd within the slave of love and man. Assist me, Heaven! but whence arose that prayer? Sprung it from piety, or from despair? Ev'n here where frozen Chastity retires, Love finds an altar for forbidden fires.

I ought to grieve, but cannot what I ought;
I mourn the lover, not lament the fault,
I view my crime, but kindle at the view,
Repent old pleasures, and solicit new;
Now turn'd to Heaven, I weep my past offence,
Now think of thee, and curse my innocence.
Of all affliction taught a lover yet,
'Tis sure the hardest science to forget!
How shall I lose the sin, yet keep the sense,
And love th' offender, yet detest th' offence!
How the dear object from the crime remove,
Or how distinguish penitence from love?
Unequal task! a passion to resign,

For Hearts so touch'd, so pierc'd, so lost as mine!
Fre such a soul regains its peaceful state,
How often must it love, how often hate!
How often hope, despair, resent, regret,
Conceal, disdain,-do all things but forget!
But let Heaven seize it, all at once 'tis fir'd:
Not touch'd, but rapt; not waken'd, but inspir'd!

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Oh, come, oh, teach me Nature to subdue,
Renounce my love, my life, myself and you.
Fill my fond heart with God alone, for he
Alone can rival, can succeed to thee.

How happy is the blameless vestal's lot;
The world forgetting, by the world forgot!
Eternal sun-shine of the spotless mind!
Each prayer accepted, and each wish resign'd;
Labour and rest that equal periods keep;
"Obedient slumbers that can wake and weep;"
Desires compos'd, affections ever even;
Tears that delight, and sighs that waft to Heaven.
Grace shines around her with erenest beams,
And whispering angels prompt her golden dreams.
For her th' unfading rose of Eden blooms,
And wings of seraphs shed divine perfumes;
For her the spouse prepares the bridal ring;
For her white virgins hymenæals sing;
To sounds of heavenly harps she dics away,
And melts in visions of eternal day.

Far other dreams my erring soul employ,
Far other raptures of unholy joy:
When, at the close of each sad, sorrowing day,
Fancy restores what Vengeance snatch'd away,
Then Conscience sleeps, and leaving Nature free,
All my loose soul unbounded springs to thee.
O curst, dear horrours of all-conscious night!
How glowing guilt exalts the keen delight!
Provoking demons all restraint remove,
And stir within me every source of love.
I hear thee, view thee, gaze o'er all thy charms,
And round thy phantom glue my clasping arms.
I wake :-no more I hear, no more I view,
The phantom flies me, as unkind as you.
I call aloud; it hears not what I say:
I stretch my empty arms; it glides away.
To dream once more I close my willing eyes;
Ye soft illusions, dear deceits, arise!
Alas, no more! methinks we wandering go
Through dreary wastes, and weep each other's woe,
Where round some mouldering tower pale ivy creeps,
And low-brow'd rocks hang nodding o'er the deeps.
Sudden you mount, you beckon from the skies;
Clouds interpose, waves roar, and winds arise..
I shriek, start up, the same sad prospect find,
And wake to all the griefs I left behind.

For thee the Fates, severely kind, ordain
A cool suspense from pleasure and from pain;
Thy life a long dead calm of fix'd repo e;
No pulse that riots, and no blood that glows.
Still as the sea, ere winds were taught to blow,
Or moving spirit bade the waters flow;
Soft as the slumbers of a saint forgiven,
And mild as opening gleams of promis'd Heaven.
Come, Abelard! for what hast thou to dread?
The torch of Venus burns not for the dead.
Nature stands check'd; Religion disapproves ;
Ev'n thou art cold-yet Eloïsa loves.
Ah, hopeless, lasting flames! like those that burn
To light the dead, and warm th' unfruitful urn.

What scenes appear where'er I turn my view!
The dear ideas, where I fly, pursue,
Rise in the grove, before the altar rise,
Stain all my soul, and wanton in my eyes.
I waste the matin lamp in sighs for thee,
Thy image steals between my God and ine,
Thy voice I seem in every hymn to hear,
With every bead I drop too soft a tear.
When from the censer clouds of fragrance roll,
And swelling organs lift the rising soul,

179

One thought of thee puts all the pomp to flight,
Priests, tapers, temples, swim before my sight:
In seas of flame my plunging soul is drown'd,
While altars blaze, and angels tremble round.

While prostrate here in humble grief I lie,
Kind, virtuous drops just gathering in my eye,
While, praying, trembling, in the dust I roll,
And dawning grace is opening on my soul:
Come, if thou dar'st, all charming as thou art!'
Oppose thyself to Heaven; dispute my heart;
Come, with one glance of those deluding eyes
Blot out each bright idea of the skies;
Take back that grace, those sorrows, and those
[tears;
Take back my fruitless penitence and prayers;
Snatch me, just mounting, from the blest abode
Assist the fiends, and tear me from my God!

No, fly me, fly me, far as pole from pole;
Rise Alps between us! and whole oceans roll!
Ah, come not, write not, think not oncê of me,
Nor share one pang of all I felt for thee.
Thy oaths I quit, thy memory resign!
Forget, renounce me, hate whate'er was mine.
Fair eyes, and tempting looks, (which yet I view !)
Long lov'd, ador'd ideas, all adieu!

O Grace serene! O Virtue heavenly fair!
Divine oblivion of low-thoughted Care!
Fresh-blooming Hope, gay daughter of the sky!
And Faith, our early immortality!
Enter, each mild, each amicable guest;
Receive and wrap me in eternal rest!
See in her cell sad Eloïsa spread,

Propt on some tomb, a neighbour of the dead.
In each low wind methinks a spirit calls,
And more than Echoes talk along the walls.
Here, as I watch'd the dying lamp around,
From yonder shrine I heard a hollow sound.

Come, sister, come!" (it said, or seem'd to say)
"Thy place is here, sad sister, come away!
Once like thyself, I trembled, wept, and pray'd,
Love's victim then, though now a sainted maid:
But all is calm in this eternal sleep;

Here Grief forgets to groan, and Love to weep:
Ev'n Superstition loses every fear;

For God, not man, absolves our frailties here."

I come, I come! prepare your roseate bowers,
Celestial palms, and ever-blooming flowers.
Thither, where sinners may have rest, I go,
Where flames refin'd in breasts seraphic glow;
Thou, Abelard! the last sad office pay,
And smooth my passage to the realms of day;
See my lips tremble, and my eye-balls roll,
Suck my last breath, and catch my flying soul!
Ah, no-in sacred vestments mayst thou stand,
The hallow'd taper trembling in thy hand,
Present the cross before my lifted eye,
Teach me at once, and learn of me to die.
Ah, then thy once lov'd Eloïsa see!
It will be then no crime to gaze on me.
See from my check the transient roses fly!
See the last sparkle languish in my eye!
Till every motion, pulse, and breath be o'er;
And ev'n my Abelard be lov'd no more.
O Death all eloquent! you only prove
What dust we doat on, when 'tis man we love.

·

Then too, when Fate shall thy fair frame de-
(That cause of all my guilt, and all my joy) [stroy,
In trance extatic may thy pangs be drown'd.
Bright clouds descend, and angels watch thee round,
From opening ski may streaming glics shine,
And saints embrace thee with a love like mine!

·

May one kind grave unite cach hapless name, And graft my love immortal on thy fame! Then, ages hence, when all my woes are o'er, When this rebellious heart shall beat no more; If ever chance two wandering lovers brings To Paraclete's white walls and silver springs, O'er the pale marble shall they join their heads, And drink the falling tears each other sheds; Then sadly say, with mutual pity mov'd, "O, may we never love as these have lov'd !” From the full choir, when loud hosannas rise, And swell the pomp of dreadful sacritice,

Amid that scene if some relenting eye
Glance on the stone where our cold relics lie,
Devotion's self shall steal a thought from Heaven,
One human tear shall drop, and be forgiven.
And sure if Fate some future bard shall join
In sad similitude of griefs to mine,
Condemn'd whole years in absence to deplore,
And image charms he must behold no more;
Such, if there be, who loves so long, so well;
Let him our sad, our tender story tell!
The well-sung woes will sooth my pensive ghost;
He best can paint them who shall feel them most!

TRANSLATIONS, AND IMITATIONS.

ADVERTISEMENT.

The following Translations were selected from many others done by the author in his youth; for the most part indeed but a sort of exercises, while he was improving himself in the languages, and carried by his early bent to poetry to perform them rather in verse than prose. Mr. Dryden's Fables came out about that time, which occasioned the Translations from Chaucer. They were first separately printed in Miscellanies by J. Tonson and B. Lintot, and afterwards collected in the quarto edition of 1717. The Imitations of English authors, which follow, were done as early, some of them at fourteen or fifteen years old.

THE

TEMPLE OF FAME. WRITTEN IN THE YEAR 1711.

ADVERTISEMENT.

THE hint of the following piece was taken from 'Chaucer's House of Fame. The design is in a manner entirely altered, the descriptions and most of the particular thoughts my own; yet 1 could not suffer it to be printed without this acknowledgment. The reader, who would compare this with Chaucer, may begin with his third book of Fame, there being nothing in the two first books that answers to their title: wherever any hint is taken from him, the passage itself is set down in the marginal notes. The poem is introduced in the manner of the Provençal poets, whose works were for the most part visions, or picces of imagination, and constantly descriptive. From these, Petrarch and Chaucer frequently borrowed the idea of their poems. See the Trionfi of the former, and the Dream, Flower and the Leaf, &c. of the latter. The author of this therefore chose the same sort of exordium.

THE TEMPLE OF FAME.

In that soft season, when descending showers
Call forth the greens, and was the rising flowers;

When opening buds salute the welcome day,
And earth relenting feels the genial ray;
As balny sleep had charm'd my cares to rest,
And love itself was banish'd from my breast,
(What time the morn mysterious visions brings,
While purer slumbers spread their golden wings)
A train of phantoms in wild order rose,
And join'd, this intellectual scene compose.

I stood, methought, betwixt earth, seas and
The whole creation open to my eyes: [skies; 11
In air self-balanc'd hung the globe below,
Where mountains rise, and circling oceans flow;
Here naked rocks, and empty wastes were seen ;
There towering cities, and the forests green:
Here sailing ships delight the wandering eyes;
There trees and intermingled temples rise:
Now a clear sun the shining scene displays;
The transient landscape now in clouds decays,

O'er the wide prospect as I gaz'd around, Sudden I heard a wild promiscuous sound, Like broken thunders at distance roar, Or billows murmuring on the hollow shore:

IMITATIONS.

Ver. 11, &c.] These verses are hinted from the following of Chaucer, Book ii.

Though beheld I fields and plains,
Now hills and now mountains,
Now valeis, and now forestes,
And now unneth great bestes,
Now rivers, now citees,
Now towns, now great trees,
Now shippes sayling in the see.

[ceall.

27

Then gazing up, a glorious pile beheld,
Whose towering summit ambient clouds con-
High on a rock of ice the structure lay,
Steep its ascent, and slippery was the way;
The wonderous rock like Parian marble shone,
And seem'd, to distant sight, of solid stone.
Inscriptions here of various names I view'd,
The greater part by hostile time subdued ;
Yet wide was spread their fame in ages past,
And poets once had promis'd they should last.
Some fresh engrav'd appear'd of wits renown'd;
I look'd again, nor could their trace be found.
Critics I saw, that other names deface,
And fix their own, with labour, in their place:
Their own, like others, soon their place resign'd,
Or disappear'd, and left the first behind.
Nor was the work impair'd by storms alone,
But felt th' approaches of too warm a sun;
For Fame, impatient of extremes, decays
Not more by Envy, than excess of Praise.
Yet part no injuries of Heaven could feel,
Like crystal faithful to the graving steel:
The rock's high summit, in the temple's shade,
Nor heat could melt, nor beating storm invade.

It stood upon so high a rock,

Higher standeth noue in Spayne→→→
What manner stone this rock was,
For it was like a lyined glass,
But that it shone full more clere;
But of what congeled matere
It was, I niste redily;

But at the last espied I,
And found that it was every dele,
A rock of ice, and not of stele.
Ver. 31. Inscriptions here, &c.]

Tho' saw I all the hill y-grave
With famous folkes names fele,
That had been in much wele
And her fames wide y-blow;
But well unneth might I know,
Any letters for to rede
Their names by, for out of drede
They weren almost off-thawen so,
That of the letters one or two.
Were molte away of every name,
So unfamous was woxe her fame;
But men said, what may ever last?
Ver. 41. Nor was the work impair'd, &c.
Tho' gan I in myne harte cast,

That they were molte away for heate,
And not away with stormes beate,
Ver. 45. Yet part no injuries, &c.]

For on that other side I sey,
Of that hill which northward ley,
How it was written full of names
Of folke, that had before great fames,
Of old time, and yet they were
As fresh as men had written hem there
That self-day, or that houre
That I on hem gan to poure:
But well I wiste what it made;
It was conserved with the shade
(All the writing that I sye)
Of the castle that stoode on high,
And stood eke in so cold a place,
That heat might it not deface.

31

1

Rise white in air, and glitter o'er the coast;
Pale suns, unfelt, at distance roll away,
And on th' impassive ice the lightnings play;
Eternal snows the growing mass supply,
Till the bright mountains prop th' incumbent sky;
As Atlas fix'd, each hoary pile appears,
The gather'd winter of a thousand years.
On this foundation Fame's high temple stands;
Stupendous pile! not rear'd by mortal hands,
Whate'er proud Rome or artful Greece beheld,
Or elder Babylon, its frame excell'd.
Four faces had the dome, and every face,
Of various structure, but of equal grace!
Four brazen gates, on columns lifted high,
45 Salute the different quarters of the sky.
Here fabled chiefs in darker ages born,
Or worthies old, whom arms or arts adorn,
Who cities rais'd, or tam'd a monstrous race,
The walls in venerable order grace:
Heroes in animated marble frown,

41

| Their names inscrib'd unnumber'd ages past
From Time's first birth, with Time itself shall last;
These ever new, nor subject to decays,

Spread and grow brighter with the length of days.
So Zembla's rocks (the beauteous work of
frost)

IMITATIONS,

Ver. 27. High on a rock of ice, &c.] Chaucer's And legislators seem to think in stone, third book of Fame.

Westward, a sumptuous frontispiece appear'd,
On Doric pillars of white marble rear'd,
Crown'd with an architrave of antique mold,
And sculpture rising on the roughen'd gold,
In shaggy spoils here Theseus was beheld,
And Perseus dreadful with Minerva's shield:
There great Alcides, stooping with his toil,
Rests on his club, and holds th' Hesperian spoil :
Here Orpheus sings; trees moving to the sound
Start from their roots, and form a shade around:
Amphion there the loud creating lyre

Strikes, and behold a sudden Thebes aspire!
Cytheron's echoes answer to his call,
And half the mountain rolls into a wall:
There might you see the lengthening spires ascend,
The domes swell up, the widening arches bend,
The growing towers like exhalations rise,
And the huge columns heave into the skies,

The easieru front was glorious to behold,
With diamond flaming, and Barbaric gold.
There Ninus shone, who spread th' Assyrian fame,
And the great founder of the Persian name :
There in long robes the royal Magi stand,
Grave Zoroaster waves the circling wand:
The sage Chaldæns rob'd in white appear'd,
And Brachmans, deep in desert woods rever'd.
These stopp'd the Moon, and call'd th' unbody'd
shades

To midnight banquets in the glimmering glades;
Made visionary fabrics round them rise,
And airy spectres skim before their eyes;
Of talismans and sigils knew the power,
And careful watch'd the planetary hour.
Superior, and alone, Confucius stood,
Who taught that useful science, to be good.

But on the sonth, a long majestic race
Of Egypt's priests the gilded niches grace,
Who measur'd Earth, describ'd the starry spheres,
And trac'd the long records of lunar years.
High on his car Sesostris struck my view
Whom scepter'd slaves in golden barness drew:
His hands a bow and pointed javelin hold;
His giant limbs are arm'd in scales of gold.

Between the statues obelisks were plac'd,
And the learn'd walls with hieroglyphics grac'd.
Of Gothic structure was the northern side,
O'erwrought with ornaments of barbarous pride.
There huge Colosses rose, with trophies crown'd,
And Runic characters were grav'd around.
There sat Zamolxis with erected eyes,
And Odin here in mimic trances dies.

There on rude iron columns, smear'd with blood,
The horrid forms of Scythian heroes stood,
Druids and bards (their once loud harps unstrung)
And youths that died to be by poets sung.
These and a thousand more of doubtful fame,
To whom old fables gave a lasting name,
In ranks adorn'd the temple's outward face;
The wall in lustre and effect like glass,
Which, o'er each object casting various dyes,
Enlarges some, and others multiplies:
Nor void of emblem was the mystic wall,
For thus romantic Fame increases all.

132

The temple shakes, the sounding gates unfold, Wide vaults appear, and roofs of fretted gold: Rais'd on a thousand pillars wreath'd around, With laurel-foliage, and with eagles crown'd: Of bright transparent beryl were the walls, The freezes gold, and gold the capitals: As Heaven with stars, the roof with jewels glows, And ever-living lamps depend in rows. Full in the passage of each spacious gate, The sage historians in white garments wait; Grav'd o'er their seats the form of Time was found,

His scythe revers'd, and both his pinions bound.
Within stood heroes, who through loud alarms
In bloody fields pursued renown in arms.
High on a throne with trophies charg'd, I view'd
The youth that all things but himself subdued;
His feet on sceptres and tiaras trod,

And his horn'd head bely'd the Lybian god.
There Cæsar, grac'd with both Minervas, shone;
Casar, the world's great master, and his own;
Unmov'd, superior still in every state,

And scarce detested in his country's fate.

But chief were those, who not for empire fought,
But with their toils their people's safety bought:
High o'er the rest Epaminondas stood;
Timoleon, glorious in his brother's blood;
Bold Scipio, saviour of the Roman state;
Great in his triumphs, in retirement great;
And wise Aurelius, in whose well-taught mind
With boundless power unbounded virtue join'd,
His own strict judge, and patron of mankind.

Much suffering heroes next their honours claim,

Those of less noisy, and less guilty fame,
Fair Virtue's silent train: supreme of these
Here ever shines the godlike Socrates;
He whom ungrateful Athens could expell
At all times just, but when he sign'd the shell:
Here his abode the martyr'd Phocion claims,
With Agis, not the last of Spartan names:
Unconquer'd Cato shows the wound he tore,
And Brutus his ill genius meets no more.

IMITATION.

Ver. 132. The wall in lustre, &c.]
It shone lighter than a glass,

: And made well more than it was, As kind of thing Fame is.

But in the centre of the hallow'd choir,
Six pompous columns o'er the rest aspire;
Around the shrine itself of Fame they stand,
Hold the chief honours, and the fane command.
High on the first, the mighty Homer shone; 182
Eternal adamant compos'd his throne;
Father of verse! in holy fillets drest,

His silver beard wav'd gently o'er his breast;
Though blind, a boldness in his looks appears;
In years he seem'd, but not impair'd by years.
The wars of Troy were round the pillar seen:
Here fierce Tydides wounds the Cyprian queen;
Here Hector glorious from Patroclus' fall,
Here dragg'd in triumph round the Trojan wall.
Motion and life did every part inspire,

Bold was the work, and prov'd the master's fire;
A strong expression most he seem'd t' affect,
And here and there disclos'd a brave neglect.

A golden column next in rank appear'd,
On which a shrine of purest gold was rear'd;
Finish'd the whole, and labour'd every part,
With patient touches of unwearied Art:
The Mantuan there in sober triumph sate,
Compos'd his posture, and his look sedate;
On Homer still he fix'd a reverent eye,
Great without pride, in modest majesty.
In living sculpture on the siles were spread
The Latian wars, and haughty Turnus dead;
Eliza stretch'd upon the funeral pyre,
Encas bending with his aged sire:

IMITATIONS.

Ver. 179. Six pompous columns, &c.]
From the dees many a pillere,

Of metal that shone not full clere, &c.
Upou a pillere saw I stonde

That was of lede and iron fine,
Him of the sect Saturnine,
The Ebraicke Josephus the old, &c.
Upon an iron pillere strong,
That painted was all endlong,
With tigers' blood in every place,
The Tholosan that hight Stace,
That bear of Thebes up the name, &e.
Ver. 182.]

Full wonder high on a pillere
Of iron, he the great Omer,

And with him Dares and Titus, &c. Ver. 196, &c.]

There saw I stand on a pillere
That was of tinned iron cleere,
The I atin poet Virgyle,
That hath bore up of a great while
The fame of pious Eneas:

And next him on a pillere was
Of copper, Venus' clerke Ovide,
That hath sowen wondrous wide
The great god of love's fanic-

Tho saw I on a pillere by
Of iron wrought full sternly,
The great poet Dan Lucan,
That on his shoulders bore up then
As hye as that I might see,
The fame of Julius and Pompee.

And next him on a pillere stode
Of sulphure, like as he were wode,
Dan Claudian, sothe for to tell,
That bare up all the fame of Hell, &c.

1.79

196

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