Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 61
Unlike the narrative poet or the novelist who , in Hazlitt's words , " answer [ s ] for his characters himself , " Shakespeare created characters who " introduced upon the stage are liable to be asked all sorts of questions , and are ...
Unlike the narrative poet or the novelist who , in Hazlitt's words , " answer [ s ] for his characters himself , " Shakespeare created characters who " introduced upon the stage are liable to be asked all sorts of questions , and are ...
Seite 298
Palamon's prayer is answered by the stage direction , Here Musicke is heard , Doves are seene to flutter ; they fall againe upon their faces , then on their knees , to which he responds with the famous lines , O thou , that from eleven ...
Palamon's prayer is answered by the stage direction , Here Musicke is heard , Doves are seene to flutter ; they fall againe upon their faces , then on their knees , to which he responds with the famous lines , O thou , that from eleven ...
Seite 327
Why , then , cannot a character of high importance be presented on the stage at a time when he is not dealing with important matters ? " Guarini implies that tragicomedy portrays quotidian reality , not reality on a grand , ideal scale ...
Why , then , cannot a character of high importance be presented on the stage at a time when he is not dealing with important matters ? " Guarini implies that tragicomedy portrays quotidian reality , not reality on a grand , ideal scale ...
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Inhalt
Henry VIII | 120 |
King John | 203 |
The Two Noble Kinsmen | 289 |
Urheberrecht | |
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