Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 141
Other shows were not courtly since they involved the guilds and city corporations , as when a sovereign was welcomed to one of his own cities . A coronation procession , in particular , was a rite whose purpose was to show the monarch ...
Other shows were not courtly since they involved the guilds and city corporations , as when a sovereign was welcomed to one of his own cities . A coronation procession , in particular , was a rite whose purpose was to show the monarch ...
Seite 238
Shakespeare adds the fine soliloquy by which the Bastard ends the Act and shows himself detached from the aspirations of John and Philip and contemptuous of political manœuvres which were very topical in the fifteen - nineties .
Shakespeare adds the fine soliloquy by which the Bastard ends the Act and shows himself detached from the aspirations of John and Philip and contemptuous of political manœuvres which were very topical in the fifteen - nineties .
Seite 257
In fact as I show elsewhere Shakespeare again and again creates from nothing or from the barest hint in his ... After this key decision , Shakespeare shows John collapsing into powerlessness as the Bastard steadily gains in authority .
In fact as I show elsewhere Shakespeare again and again creates from nothing or from the barest hint in his ... After this key decision , Shakespeare shows John collapsing into powerlessness as the Bastard steadily gains in authority .
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Inhalt
Henry VIII | 120 |
King John | 203 |
The Two Noble Kinsmen | 289 |
Urheberrecht | |
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