Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 328
We first see Fletcher's characteristic manipulation of language in the play when Palamon and Arcite appear in prison . Speaking in their cell , the cousins would appear to commit themselves to each other absolutely ; but linguistic ...
We first see Fletcher's characteristic manipulation of language in the play when Palamon and Arcite appear in prison . Speaking in their cell , the cousins would appear to commit themselves to each other absolutely ; but linguistic ...
Seite 360
When Shakespeare shows Emilia comparing Palamon and Arcite once more in a later scene , as the tournament is being fought offstage , he creates a very different effect : Arcite is gently visag'd , yet his eye Is like an engine bent or a ...
When Shakespeare shows Emilia comparing Palamon and Arcite once more in a later scene , as the tournament is being fought offstage , he creates a very different effect : Arcite is gently visag'd , yet his eye Is like an engine bent or a ...
Seite 361
Arcite retains control of his feelings , but leaves , promising to return with weapons . Chivalry is even more conspicuous in the scene in which he does so . Arriving with swords and armor , Arcite says , " Good morrow , noble kinsman ...
Arcite retains control of his feelings , but leaves , promising to return with weapons . Chivalry is even more conspicuous in the scene in which he does so . Arriving with swords and armor , Arcite says , " Good morrow , noble kinsman ...
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Inhalt
Henry VIII | 120 |
King John | 203 |
The Two Noble Kinsmen | 289 |
Urheberrecht | |
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