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Seite 10
But it was not a flat surface , rather it was a semiround niche , onto which he was to paint ; the correspondence between the squares that the curved lines of the net cast inside the niche and the straight lines of the original sketch ...
But it was not a flat surface , rather it was a semiround niche , onto which he was to paint ; the correspondence between the squares that the curved lines of the net cast inside the niche and the straight lines of the original sketch ...
Seite 12
As Gauß demonstrated in 1827 , curves belong to an “ inner geometry ” of surfaces , which “ can be developed without ... practical model for a linear perspective mediated no longer by the flat surface of orthogonal panel paintings but ...
As Gauß demonstrated in 1827 , curves belong to an “ inner geometry ” of surfaces , which “ can be developed without ... practical model for a linear perspective mediated no longer by the flat surface of orthogonal panel paintings but ...
Seite 101
The cathedral is degraded to a patchwork assemblage torn and blinded by its own paste - ins , which intrude like newsprint on a glassy surface and mark the irreducible opacity of a language shattered by its own repetition and citational ...
The cathedral is degraded to a patchwork assemblage torn and blinded by its own paste - ins , which intrude like newsprint on a glassy surface and mark the irreducible opacity of a language shattered by its own repetition and citational ...
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Inhalt
On E T A Hoffmanns Jesuit Church in G MAR 29 | 9 |
Evita Out of the Waves | 28 |
inter urinas et faeces nascimur | 51 |
Urheberrecht | |
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