Im Buch
Ergebnisse 1-3 von 28
Seite 13
The precise point at which mathematics takes place ( following Monge and Poncelet ) is represented or replaced in Hoffmann's story by a media - technical apparatus . “ The Jesuit Church in G. ” is a “ night piece ” not because Berthold ...
The precise point at which mathematics takes place ( following Monge and Poncelet ) is represented or replaced in Hoffmann's story by a media - technical apparatus . “ The Jesuit Church in G. ” is a “ night piece ” not because Berthold ...
Seite 40
The story , part of several American books on radio history , always had its source in Sarnoff himself : his own “ oral oracle . ” Promoted to the top of his company after the World War and then his own media boss , he recounted it over ...
The story , part of several American books on radio history , always had its source in Sarnoff himself : his own “ oral oracle . ” Promoted to the top of his company after the World War and then his own media boss , he recounted it over ...
Seite 74
In the foreground is a pond surrounded by many of the creatures who populate the stories . In the center of the pond sitting on a lily pad is a large bullfrog . The second chapter of the volume I am holding tells why Grandfather Frog ...
In the foreground is a pond surrounded by many of the creatures who populate the stories . In the center of the pond sitting on a lily pad is a large bullfrog . The second chapter of the volume I am holding tells why Grandfather Frog ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
On E T A Hoffmanns Jesuit Church in G MAR 29 | 9 |
Evita Out of the Waves | 28 |
inter urinas et faeces nascimur | 51 |
Urheberrecht | |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according allowed already American android animal appears associated becomes begin Birth body called cinema comes concept connection creativity dead death describe desire dream effect eternal event Evita example experience experimental fact father figure finally fire flesh flux fragment Freud frog function future half-life hand Hitchcock human incorporation invention Italy kind later light living loss machine marks mass mathematics means memory Michigan mourning narrator nature never Nietzsche object once organization original painting passing past Perón perspective philosophy play political possible precisely present problem produces question radio reading relation requires rigor scene seems sense sexual social story sublimation suggests surface theory things thinking thought tion turn University Press writing York