Im Buch
Ergebnisse 1-3 von 22
Seite 101
Art seems to present itself precisely as a defense against such traumatic recursion and promises to negotiate the prohibition by charging it with productive force . The " empty space ” left by a vanishing sensation is filled with the ...
Art seems to present itself precisely as a defense against such traumatic recursion and promises to negotiate the prohibition by charging it with productive force . The " empty space ” left by a vanishing sensation is filled with the ...
Seite 120
As with his administration of time travel , Dick hitched his use of alternate history or alternate reality to the present going on the recent past . Dick dismissed fascination with past lives as generic fantasy .
As with his administration of time travel , Dick hitched his use of alternate history or alternate reality to the present going on the recent past . Dick dismissed fascination with past lives as generic fantasy .
Seite 170
... in the cognitive domain for which it nonetheless serves as proof : another reason why tests have to be taken over and over again , if only to fill the fictional time of the absolute present , or of the experience of such a present .
... in the cognitive domain for which it nonetheless serves as proof : another reason why tests have to be taken over and over again , if only to fill the fictional time of the absolute present , or of the experience of such a present .
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
On E T A Hoffmanns Jesuit Church in G MAR 29 | 9 |
Evita Out of the Waves | 28 |
inter urinas et faeces nascimur | 51 |
Urheberrecht | |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according allowed already American android animal appears associated becomes begin Birth body called cinema comes concept connection creativity dead death describe desire dream effect eternal event Evita example experience experimental fact father figure finally fire flesh flux fragment Freud frog function future half-life hand Hitchcock human incorporation invention Italy kind later light living loss machine marks mass mathematics means memory Michigan mourning narrator nature never Nietzsche object once organization original painting passing past Perón perspective philosophy play political possible precisely present problem produces question radio reading relation requires rigor scene seems sense sexual social story sublimation suggests surface theory things thinking thought tion turn University Press writing York