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Seite 11
first emerges in the play between space and surface , orthogonality and trigonometry . Around 1520 Brunelleschi ( according to the testimony of his biographer Antonio Manetti ) painted a ( now lost ) small - format panel picture that ...
first emerges in the play between space and surface , orthogonality and trigonometry . Around 1520 Brunelleschi ( according to the testimony of his biographer Antonio Manetti ) painted a ( now lost ) small - format panel picture that ...
Seite 16
... the second part of Hoffmann's story — the illusion has reached its goal at the end of a long passage through architecture and painting : it becomes , again strictly following Lacan , the play of signifiers named literature ( 169 ) .
... the second part of Hoffmann's story — the illusion has reached its goal at the end of a long passage through architecture and painting : it becomes , again strictly following Lacan , the play of signifiers named literature ( 169 ) .
Seite 33
He could no longer play the part of moderator that he played best of all : the rhetorical conciliator of the political powers of Argentina . Once the microphone symbiosis of the two falls apart , the leader falls too .
He could no longer play the part of moderator that he played best of all : the rhetorical conciliator of the political powers of Argentina . Once the microphone symbiosis of the two falls apart , the leader falls too .
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Inhalt
On E T A Hoffmanns Jesuit Church in G MAR 29 | 9 |
Evita Out of the Waves | 28 |
inter urinas et faeces nascimur | 51 |
Urheberrecht | |
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according allowed already American android animal appears associated becomes begin Birth body called cinema comes concept connection creativity dead death describe desire dream effect eternal event Evita example experience experimental fact father figure finally fire flesh flux fragment Freud frog function future half-life hand Hitchcock human incorporation invention Italy kind later light living loss machine marks mass mathematics means memory Michigan mourning narrator nature never Nietzsche object once organization original painting passing past Perón perspective philosophy play political possible precisely present problem produces question radio reading relation requires rigor scene seems sense sexual social story sublimation suggests surface theory things thinking thought tion turn University Press writing York