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Seite 95
According to the official Proustian theory of reminiscence , the " mark ( griffe ) of authenticity ” ( 3 : 913 ) of involuntary memory is that it comes essentially from the outside as an inscription of the Other : a " little furrow ...
According to the official Proustian theory of reminiscence , the " mark ( griffe ) of authenticity ” ( 3 : 913 ) of involuntary memory is that it comes essentially from the outside as an inscription of the Other : a " little furrow ...
Seite 155
psychoanalysis , opposing cinema to the latter as modernity's dominant science of ghosts and memory , he makes cinema stand in for the repressed of psychoanalysis , the one thing it cannot address , psychosis , and illustrates its own ...
psychoanalysis , opposing cinema to the latter as modernity's dominant science of ghosts and memory , he makes cinema stand in for the repressed of psychoanalysis , the one thing it cannot address , psychosis , and illustrates its own ...
Seite 160
20 In The 39 Steps the many - named “ Annabella Smith ” leads Hannay , with her death , into the narrative web , voiding identity in a quest that departs from the Mr. Memory show — where consciousness emerges in asking the vaudevillian ...
20 In The 39 Steps the many - named “ Annabella Smith ” leads Hannay , with her death , into the narrative web , voiding identity in a quest that departs from the Mr. Memory show — where consciousness emerges in asking the vaudevillian ...
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Inhalt
On E T A Hoffmanns Jesuit Church in G MAR 29 | 9 |
Evita Out of the Waves | 28 |
inter urinas et faeces nascimur | 51 |
Urheberrecht | |
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according allowed already American android animal appears associated becomes begin Birth body called cinema comes concept connection creativity dead death describe desire dream effect eternal event Evita example experience experimental fact father figure finally fire flesh flux fragment Freud frog function future half-life hand Hitchcock human incorporation invention Italy kind later light living loss machine marks mass mathematics means memory Michigan mourning narrator nature never Nietzsche object once organization original painting passing past Perón perspective philosophy play political possible precisely present problem produces question radio reading relation requires rigor scene seems sense sexual social story sublimation suggests surface theory things thinking thought tion turn University Press writing York