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Instead the self finds itself an empty apparatus , wherein loss keeps getting lost . By following out Philip K. Dick's famous android test through a relay of texts in which the mediatic reception in psychosis as in our relationship to ...
Instead the self finds itself an empty apparatus , wherein loss keeps getting lost . By following out Philip K. Dick's famous android test through a relay of texts in which the mediatic reception in psychosis as in our relationship to ...
Seite 98
Failing to sustain even my own grief , I now grieve that very grief , find in its inevitable attenuation a fresh despair ( 1 : 721 ) , mourn the loss of my own initial sense of loss that like a phantom limb spreads out the immemorial ...
Failing to sustain even my own grief , I now grieve that very grief , find in its inevitable attenuation a fresh despair ( 1 : 721 ) , mourn the loss of my own initial sense of loss that like a phantom limb spreads out the immemorial ...
Seite 103
In marking the perpetual relay between loss and proximity , absence and enjoyment , the photograph announces the very limit of aesthetic recuperation . Jouissance and melancholia define its two essential poles .
In marking the perpetual relay between loss and proximity , absence and enjoyment , the photograph announces the very limit of aesthetic recuperation . Jouissance and melancholia define its two essential poles .
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Inhalt
On E T A Hoffmanns Jesuit Church in G MAR 29 | 9 |
Evita Out of the Waves | 28 |
inter urinas et faeces nascimur | 51 |
Urheberrecht | |
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according allowed already American android animal appears associated becomes begin Birth body called cinema comes concept connection creativity dead death describe desire dream effect eternal event Evita example experience experimental fact father figure finally fire flesh flux fragment Freud frog function future half-life hand Hitchcock human incorporation invention Italy kind later light living loss machine marks mass mathematics means memory Michigan mourning narrator nature never Nietzsche object once organization original painting passing past Perón perspective philosophy play political possible precisely present problem produces question radio reading relation requires rigor scene seems sense sexual social story sublimation suggests surface theory things thinking thought tion turn University Press writing York