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Seite 63
The dialectic of the enlightenment turned on two types of invention : the invention of stories and that of machines . But since invention is always invention of oneself , as soon as the creator of either type of invention has to be ...
The dialectic of the enlightenment turned on two types of invention : the invention of stories and that of machines . But since invention is always invention of oneself , as soon as the creator of either type of invention has to be ...
Seite 174
The principal axioms of the gay science are related to dimensions of exploration and discovery ; discovery is not seen simply in terms of " invention ” but , under certain conditions , as a way of discovering what was already there ...
The principal axioms of the gay science are related to dimensions of exploration and discovery ; discovery is not seen simply in terms of " invention ” but , under certain conditions , as a way of discovering what was already there ...
Seite 179
8 In Frankenstein ; or , the Modern Prometheus ( London , 1818 ) , Mary Shelley figures the discovery of America that , when compared with the invention of the fiend figures , as the more grievous monstrosity .
8 In Frankenstein ; or , the Modern Prometheus ( London , 1818 ) , Mary Shelley figures the discovery of America that , when compared with the invention of the fiend figures , as the more grievous monstrosity .
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Inhalt
On E T A Hoffmanns Jesuit Church in G MAR 29 | 9 |
Evita Out of the Waves | 28 |
inter urinas et faeces nascimur | 51 |
Urheberrecht | |
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according allowed already American android animal appears associated becomes begin Birth body called cinema comes concept connection creativity dead death describe desire dream effect eternal event Evita example experience experimental fact father figure finally fire flesh flux fragment Freud frog function future half-life hand Hitchcock human incorporation invention Italy kind later light living loss machine marks mass mathematics means memory Michigan mourning narrator nature never Nietzsche object once organization original painting passing past Perón perspective philosophy play political possible precisely present problem produces question radio reading relation requires rigor scene seems sense sexual social story sublimation suggests surface theory things thinking thought tion turn University Press writing York